Occasional thoughts of an Anglican Episcopal priest

Category: Church (Page 105 of 116)

The Three-Act Drama of Redemption: Act Three – The Paschal Homily (Easter 2012)

Revised Common Lectionary for the Great Vigil of Easter, Year B: Genesis 1:1-2:4a; Exodus 14:10-31; 15:20-21; Proverbs 8:1-8, 19-21;9:4b-6; Zephaniah 3:12-20; Psalm 114; Romans 6:3-11; Mark 16:1-8

Early Byzantine mosaic portrait of St John Chrysostom from the Cathedral of Hagia Sophia in ConstantinopleSome time in the late Fourth Century, St. John Chrysostom, Archbishop of Constantinople and an important Early Church Father known for his eloquence in preaching and public speaking (hence, the surname Chrysostom which means “golden-mouthed”), preached this sermon on Easter.

Since that time, throughout the Christian East, it has been a tradition to read this at the Great Vigil of Easter. It is known simply as “the Paschal Homily” and any Orthodox Christian who hears that title knows exactly what is meant.

I offer it to you this evening. (For those who have been following our “three-act drama of redemption” theme, the third-act sermon will be offered at tomorrow’s Festal Eucharist.)

Are there any who are devout lovers of God?
Let them enjoy this beautiful bright festival!

Are there any who are grateful servants?
Let them rejoice and enter into the joy of their Lord!

Are there any weary from fasting?
Let them now receive their due!

If any have toiled from the first hour,
let them receive their reward.

If any have come after the third hour,
let them with gratitude join in the feast!

Those who arrived after the sixth hour,
let them not doubt; for they shall not be short-changed.

Those who have tarried until the ninth hour,
let them not hesitate; but let them come too.

And those who arrived only at the eleventh hour,
let them not be afraid by reason of their delay.

For the Lord is gracious and receives the last even as the first.

The Lord gives rest to those who come at the eleventh hour,
even as to those who toiled from the beginning.

To one and all the Lord gives generously.

The Lord accepts the offering of every work.
The Lord honours every deed and commends their intention.

Let us all enter into the joy of the Lord!?
First and last alike, receive your reward.
Rich and poor, rejoice together!

Conscientious and lazy, celebrate the day!

You who have kept the fast, and you who have not,
rejoice, this day, for the table is bountifully spread!

Feast royally, for the calf is fatted.
Let no one go away hungry.

Partake, all, of the banquet of faith.
Enjoy the bounty of the Lord’s goodness!

Let no one grieve being poor,
for the universal reign has been revealed.

Let no one lament persistent failings,
for forgiveness has risen from the grave.

Let no one fear death,
for the death of our Saviour has set us free.

The Lord has destroyed death by enduring it.

The Lord vanquished hell when he descended into it.
The Lord put hell in turmoil even as it tasted of his flesh.

Isaiah foretold this when he said,
“You, O Hell, were placed in turmoil when he encountering you below.”

?
Hell was in turmoil having been eclipsed.
Hell was in turmoil having been mocked.
Hell was in turmoil having been destroyed.
Hell was in turmoil having been abolished.
Hell was in turmoil having been made captive.

Hell grasped a corpse, and met God.
Hell seized earth, and encountered heaven.
Hell took what it saw,
and was overcome by what it could not see.

O death, where is your sting?
O hell, where is your victory?

Christ is risen, and you are cast down!
Christ is risen, and the demons are fallen!
Christ is risen, and the angels rejoice!
Christ is risen, and life is set free!
Christ is risen,
and the tomb is emptied of its dead.

For Christ, having risen from the dead,
is become the first-fruits of those who have fallen asleep.

To Christ be glory and power forever and ever. Amen!

The Three-Act Drama of Redemption: Intermission – Meditation for Holy Saturday, 2012

Revised Common Lectionary for Holy Saturday, Year B: Lamentations 3:1-9, 19-24; Psalm 31:1-4, 15-16; 1 Peter 4:1-8; John 19:38-42

This meditation comes from a Holy Saturday homily written in Greek dating back to the fourth century and found in the record of an ancient liturgy; however, the author of this text describing the beginning of the Harrowing of Hell, Christ’s encounter with Adam and Eve, is unknown. During the intermission of the three-act drama of redemption, we read these program notes, beginning with an ancient anthem of the day.

Our shepherd, the source of the water of life, has died.
The sun was darkened when he passed away.
But now man’s captor is made captive.

This is the day when our Savior broke through the gates of death.
He has destroyed the barricades of hell,
overthrown the sovereignty of the devil.
This is the day when our Savior broke through the gates of death.

Something strange is happening – there is a great silence on earth today, a great silence and stillness. The whole earth keeps silence because the King is asleep. The earth trembled and is still because God has fallen asleep in the flesh and he has raised up all who have slept ever since the world began. God has died in the flesh and hell trembles with fear.

He has gone to search for our first parent, as for a lost sheep. Greatly desiring to visit those who live in darkness and in the shadow of death, he has gone to free from sorrow the captives Adam and Eve, he who is both God and the son of Eve. The Lord approached them bearing the cross, the weapon that had won him the victory. At the sight of him Adam, the first man he had created, struck his breast in terror and cried out to everyone: “My Lord be with you all”. Christ answered him: “And with your spirit”. He took him by the hand and raised him up, saying: “Awake, O sleeper, and rise from the dead, and Christ will give you light”.

I am your God, who for your sake have become your son. Out of love for you and for your descendants I now by my own authority command all who are held in bondage to come forth, all who are in darkness to be enlightened, all who are sleeping to arise. I order you, O sleeper, to awake. I did not create you to be held a prisoner in hell. Rise from the dead, for I am the life of the dead. Rise up, work of my hands, you who were created in my image. Rise, let us leave this place, for you are in me and I am in you; together we form only one person and we cannot be separated. For your sake I, your God, became your son; I, the Lord, took the form of a slave; I, whose home is above the heavens, descended to the earth and beneath the earth. For your sake, for the sake of man, I became like a man without help, free among the dead. For the sake of you, who left a garden, I was betrayed to the Jews in a garden, and I was crucified in a garden.

See on my face the spittle I received in order to restore to you the life I once breathed into you. See there the marks of the blows I received in order to refashion your warped nature in my image. On my back see the marks of the scourging I endured to remove the burden of sin that weighs upon your back. See my hands, nailed firmly to a tree, for you who once wickedly stretched out your hand to a tree.

I slept on the cross and a sword pierced my side for you who slept in paradise and brought forth Eve from your side. My side has healed the pain in yours. My sleep will rouse you from your sleep in hell. The sword that pierced me has sheathed the sword that was turned against you.

Rise, let us leave this place. The enemy led you out of the earthly paradise. I will not restore you to that paradise, but I will enthrone you in heaven. I forbade you the tree that was only a symbol of life, but see, I who am life itself am now one with you. I appointed cherubim to guard you as slaves are guarded, but now I make them worship you as God. The throne formed by cherubim awaits you, its bearers swift and eager. The bridal chamber is adorned, the banquet is ready, the eternal dwelling places are prepared, the treasure houses of all good things lie open. The kingdom of heaven has been prepared for you from all eternity.

Let us pray:

All-powerful and ever-living God, your only Son went down among the dead and rose again in glory. In your goodness raise up your faithful people, buried with him in baptism, to be one with him in the eternal life of your kingdom, where he lives and reigns with you and the Holy Spirit, one God, forever and ever. Amen.

The Three-Act Drama of Redemption: Act Two – Sermon for Good Friday 2012

Revised Common Lectionary for Good Friday, Year B: Isaiah 52:13-53:12; Psalm 22; Hebrews 4:14-16; 5:7-9; John 18:1-19:42

In the first act of the drama of redemption, Love tried to teach his lesson through bread and wine, through water and basin, through garden prayer, and through willing surrender to corrupt authority. The Body and Blood symbolically broken, the Body washing other bodies, the Blood sweated out in agonized prayer, these did not suffice and so, betrayed and exhausted, he surrendered. Whether or not he knew what would ultimately happen is irrelevant. He could do nothing else – if he were to remain faithful to his God, faithful to his values, faithful to his principles, faithful to his mission, he could do nothing else. And so now, in the second act, the incarnate Creator is prisoner to Destruction, now Life is condemned to death by Death.

Rembrandt, Portrait of ChristIn the beginning he had been tempted by riches, by power, by idolization; all these had been offered in the desert. Now how great the temptation must have been to simply give up! Poet Denise Levertov ponders this allure in her poem Salvator Mundi: Via Crucis

Maybe He looked indeed
much as Rembrandt envisioned Him
in those small heads that seem in fact
portraits of more than a model.
A dark, still young, very intelligent face,
A soul-mirror gaze of deep understanding, unjudging.
That face, in extremis, would have clenched its teeth
In a grimace not shown in even the great crucifixions.
The burden of humanness (I begin to see) exacted from Him
That He taste also the humiliation of dread,
cold sweat of wanting to let the whole thing go,
like any mortal hero out of his depth,
like anyone who has taken herself back.
The painters, even the greatest, don’t show how,
in the midnight Garden,
or staggering uphill under the weight of the Cross,
He went through with even the human longing
to simply cease, to not be.
Not torture of body,
not the hideous betrayals humans commit
nor the faithless weakness of friends, and surely
not the anticipation of death (not then, in agony’s grip)
was Incarnation’s heaviest weight,
but this sickened desire to renege,
to step back from what He, Who was God,
had promised Himself, and had entered
time and flesh to enact.
Sublime acceptance, to be absolute, had to have welled
up from those depths where purpose
drifted for mortal moments.
(In The Stream & the Sapphire: Selected poems on religious themes [New Directions Books: 1997])

In this second act of the drama of redemption, it is faith and will which prevail, the faith and will of Jesus who did not step back, who did not give in to the human longing to simply cease.

Rembrandt, Raising the CrossIn this second act of the drama all that has gone before is recapitulated; all that we saw in yesterday’s first act, the supper in the upper room, the act of servanthood taught there, the agonized prayer in the garden, the willing surrender to unjust authority, and more. Not just yesterday’s first act, but all that has gone before from our first act of defiance in the first garden. Poet Ross Miller reminds us of that bond in his brief verse entitled Tau

That dreadful beam
that Jesu bore
knot made from pine
but ancient tree
that bore a bitter fruit

That pole on which it hung
he hung
knot made from pine
undying tree of life
that bears forever fruit

Take and eat – the Serpent cried
You shall not die
You shall be
like God
We bit
The Servant took those twisted words
held them on the knotted wood
Take and eat – the Servant cries
You shall not die
You shall be
like me
(Found at Stations of the Cross)

We shall be like him! It is here on the cross in this second act that the promise of the Incarnation, the guarantee of the Nativity is made good. Then we sang

Great little One! whose all-embracing birth
Lifts Earth to Heaven, stoops Heaven to Earth.
(In The Holy Nativity of Our Lord God: A Hymn Sung as by Shepherds, Richard Crashaw [1613-49])

Here on the cross, indeed, God “gathers up all things in Christ, things in heaven and things on earth.” (Eph. 1:10) And here on the cross, in an act of faithfulness and will, he died. Here on the cross, in this final fact of human existence, truly “God became man so that man might become a god.” (St. Athanasius, De Incarnatione)

But his death, we know, cannot be the end of the story. This is only the second act of a three-act drama. So his body must be taken down; it must be dealt with in the appropriate way.

Rembrandt, Descent from Cross

Composer Jimmy Owens paints the picture in his cantata No Other Lamb:

They took Him down,
His poor dead body,
and prepared Him for His burial.

They took Him down,
His poor pale body
drained of life, ashen, and stained
with its own life-blood.

His healing hands, now pierced and still;
Serving hands, that broke five loaves
to feed five thousand;
Holy hands, often folded in fervent prayer;
Poor gentle hands, now pierced and still.

His poor torn feet, now bloodied and cold;
Feet that walked weary miles
to bring good news to broken hearts
Feet once washed in penitent’s tears;
Poor torn feet, now bloodied and cold.

His kingly head, made for a crown,
now crowned – with thorns.
His poor kingly head, crowned with thorns.

His gentle breast, now pierced by
spear-thrust, quiet and still;
His poor loving breast.

His piercing eyes, now dark and blind;
Eyes of compassion, warming the soul;
Fiery eyes, burning at sin;
Tender eyes, beckoning sinners;
His piercing eyes, now dark and blind.

His matchless voice, fountain of the Father’s
thoughts, stopped –
and stilled – to speak no more.
Silence now, where once had flowed
Wisdom and comfort, Spirit and life;
His matchless voice; stilled, to speak no more.

They took Him down,
His poor dead body,
and prepared Him for his burial.
(They Took Him Down in No Other Lamb [Lillenas Publishing Co.])

And so the second act comes to a close, the body is laid in a tomb and as the rock is rolled to seal it, the now-torn curtain descends. We are left in the darkness of our hearts to contemplate our place in this drama. With poet Luci Shaw we realize that we just may be Judas or Peter….

because we are all
betrayers, taking
silver and eating
body and blood and asking
(guilty) is it I and hearing
him say yes
it would be simple for us all
to rush out
and hang ourselves
but if we find grace
to cry and wait
after the voice of morning
has crowed in our ears
clearly enough
to break our hearts
he will be there
to ask each again
do you love me?
(Judas, Peter in A Widening Light: Poems of the Incarnation [Regent College Publishing, 1997])

The Three-Act Drama of Redemption: Act One – Sermon for Maundy Thursday 2012

Revised Common Lectionary for Maundy Thursday, Year B: Exodus 12:1-14; Psalm 116:1,10-17; 1 Corinthians 11:23-26; John 13:1-17, 31b-35

Redemption is a drama in three acts – three acts and a brief intermission – tonight we take part in Act One.

Act One, Scene One: The curtain rises. We see a group of people gathered in an upper room somewhere in Jerusalem.

A meal is in progress… Is it a seder, the ritual meal of remembrance of the Passover? We don’t really know; the playwrights have not made this clear; the theater critics, the scholars debate this issue. Three of the story-tellers suggest that it is but the fourth, John, tells the tale very differently. (The synoptic gospels tell the story in a similar way and, if truth be told, in the same way – Luke and Matthew based their stories on Mark’s, so to be honest there aren’t three stories, there’s only one that would make us think that this supper is a seder, but John doesn’t. In fact, John doesn’t even care about that – he spends no time at all describing the meal, for him the important thing is what happened afterward, and that comes in a later scene. So as we begin this three-day, three-act drama of redemption, since we have heard Luke’s voice narrating the story, let’s just assume that what we see in this first scene of the first act is, indeed, a seder.)

Those present are prepared to do all that is laid out in the instructions in the book of Exodus; they have worn their sandals; they carry their staffs; they expect to eat of roasted lamb and unleavened bread and bitter herbs. They anticipate spending the night in remembrance of that which happened generations before in Egypt. If we can imagine that they celebrate as modern Jews celebrate, they expect the youngest among them to ask the questions, beginning with “Why is this night different from all other nights?” They know that the head of the household, their rabbi Jesus, will answer those questions in the prescribed way and tell the story of the Passover.

And when the youngest asks “Why do we eat the broken matzah?” they expect Jesus to answer “This is the bread of our affliction; the unleavened bread of poverty, baked and eaten in haste,” but instead he takes the bread, brakes it and says, “This bread is my body, given for you.”

Can’t you just see them in this scene, reclining in that upper room, those serving the meal coming and going, a breeze blowing through the open windows, following along in their prayer books, the Haggadah … They look up startled, glancing at one another, murmuring to each other, “What is he talking about? That’s not here! That’s not the right answer. Where is he? What page is he on?” But the moment passes, the meal moves on, until at the end he takes up the fourth and final cup of wine, the kiddush cup, which recalls God’s promise, “I will acquire you as a nation; you will be my people and I will be your God.” They expect Jesus to say, “Blessed are you, O Lord our God, sovereign of the universe, creator of the fruit of the vine,” but instead they hear, “This cup is my blood!” “What?! What is he saying???”

It is for Jesus and his disciples one of those fleeting opportunities when, because of the pupils’ confusion or frustration or grasping for understanding, the teacher can pass on to the students new information, new values, new moral understanding, a new behavior, a new skill, a new way of seeing and coping with reality; it is what we have come to call “the teachable moment” and so he teaches, yet again, “Remember! Remember,” he says, “Love one another as I have loved you.”

The curtain falls as Jesus continues to teach; the disciples look mystified.

Act One, Scene Two: The curtain rises again. We see the same group of people gathered in the same upper room somewhere in Jerusalem.

Jesus Washing the Feet of His Disciples by Michal SplhoThe meal is over, the dishes have been cleared. The disciples are arguing among themselves about who is the greater among them. Jesus looks frustrated and troubled; the teachable moment has passed and they clearly have not understood! They just haven’t gotten it.

“Look,” he says, “the greatest among you must become like the youngest, and the leader like one who serves. For who is greater, the one who is at the table or the one who serves? Is it not the one at the table? But I am among you as one who serves. Here, let me show you what I mean.” Getting up from the table, he takes off his robe, ties a towel around himself, pours water into a basin, and begins to wash and dry the others’ feet. Peter protests, “You will never wash my feet.” Jesus answers, “Peter, if I don’t wash you, you can’t be part of what I’m doing.” So Peter relents, “Well then, not only my feet! Wash my hands and my head, too!”

Peter speaks for us. We don’t get this foot-washing thing, do we? Washing our hands makes more sense to us, as it does to Anglican nun and poet Lucy Nanson who wrote:

Wash my hands on Maundy Thursday
not my feet
My hands peel potatoes, wipe messes from the floor
change dirty nappies, clean the grease from pots and pans
have pointed in anger and pushed away in tears
in years past they’ve smacked a child and raised a fist
fumbled with nervousness, shaken with fear
I’ve wrung them when waiting for news to come
crushed a letter I’d rather forget
covered my mouth when I’ve been caught out
touched forbidden things, childhood memories do not grow dim
These hands have dug gardens, planted seeds
picked fruit and berries, weeded out and pruned trees
found bleeding from the rose’s thorns
dirt and blood mix together
when washed before a cup of tea
Love expressed by them
asks for your respect
in the hand-shake of warm greeting,
the gentle rubbing of a child’s bump
the caressing of a lover, the softness of a baby’s cheek
sounds of music played by them in tunes upon a flute
they’ve held a frightened teenager,
touched a father in his death
where cold skin tells the end of life has come
but not the end of love,
comforted a mother losing agility and health.
With my hands outstretched before you
I stand humbled and in awe
your gentle washing in water, the softness of the towel
symbolizing a cleansing
the servant-hood of Christ.
Wash my hands on Maundy Thursday
and not my feet.

Yes, Peter speaks for us; we would rather our hands be washed. But Jesus insists, he must wash his disciples feet for only in this way does one truly honor and serve another in love, only in this way does one recall whose servant one is. He says to them, “If I, your master and teacher, have washed your feet, you must now wash each other’s feet.” Only in this way can his disciples remember his teaching that what is done for us is also to be done for others.

They don’t get the opportunity, however, for the second scene ends as Jesus becomes visibly agitated and declares, “One of you is going to betray me.”

As the curtain goes down, the disciples are looking puzzled and Judas Iscariot is leaving.

Act One, Scene Three: The curtain rises again. We see a garden and an olive grove just outside of Jerusalem. Jesus is there, accompanied by Peter, James, and John.

Praying at Gethsemane by He Qi “Stay here,” he tells them, “Stay awake while I go over there to pray.” As they settle themselves, he moves away from them, and collapses in a heap, sobbing: “O God … Father, let this pass!”

Three times he returns to find them asleep; three times they rise looking sheepish and embarrassed; twice he tells them again to try to stay awake as he goes away still pleading with God for a way out. “Enough,” he says the third time, “Enough! We’re leaving.”

When they look back on that night, how must they feel? When we look back, how should we feel?

Poet Mary Oliver offers a glimpse in her poem Gethsemane:

The grass never sleeps.
Or the roses.
Nor does the lily have a secret eye that shuts until morning.
Jesus said, wait with me. But the disciples slept.

The cricket has such splendid fringe on its feet,
and it sings, have you noticed, with its whole body,
and heaven knows if it ever sleeps.

Jesus said, wait with me. And maybe the stars did,
maybe the wind wound itself into a silver tree,
and didn’t move, maybe the lake far away,
where once he walked as on a blue pavement,
lay still and waited, wild awake.

Oh the dear bodies, slumped and eye-shut, that could not
keep that vigil, how they must have wept,
so utterly human, knowing this too
must be part of the story.

Yes, this too, our utterly human inability to fully keep company with our Lord, this too must be part of the story when it is told, as we see it unfold in the church’s memory tonight, but for now the stage fills, the garden becomes crowded … Judas returns accompanied by temple guards, and Roman soldiers, and servants of the priests … and are those some of the disciples showing up? The orchard of olives suddenly is filled with angry activity, with scuffling, with fighting, with confusion. Peter calls out, “Lord, should we fight back?” and, without waiting for an answer, draws his sword and cuts off a servant’s ear.

“Stop!” cries Jesus. He reaches out and tenderly touches the servant’s head, healing his wound. He seems sadly confused, “Why have you come to arrest me with swords drawn?” he asks, “I’ve been teaching in the temple all week! You could have taken me any time.” It all seems too much for him. Certainly, it’s too much for us! Again, a poet, Ted Loder, speaks for us:

Sometimes, Lord,
it just seems to be too much:
too much violence, too much fear;
too much of demands and problems;
too much of broken dreams and broken lives;
too much of wars and slums and dying:
too much of greed and squishy fatness
and the sounds of people
devouring each other
and the earth;
too much of stale routines and quarrels,
unpaid bills and dead ends;
too much of words lobbed in to explode
leaving shredded hearts and lacerated souls;
too much of turned-away backs and yellow silence,
red rage and the bitter taste of ashes in my mouth.

Sometimes the very air seems scorched
by threats and rejection and decay
until there is nothing
but to inhale pain
and exhale confusion.

Too much of darkness, Lord,
too much of cruelty
and selfishness
and indifference.

Too much, Lord
too much,
too bloody,
bruising,
brain-washing much.

Or is it too little,
too little of compassion,
too little of courage,
of daring,
of persistence,
[too little] of sacrifice?

Jesus and his captors exit; the disciples, confused and frightened, sneak out behind them. The curtain falls. We are left in darkness….

Let us pray:

Heavenly Father, as we enter again into the mystery of these three most holy days, as we participate once again in this three-act drama of redemption, we ask you to illumine our minds and hearts with the hope and promise of Christ’s passion, death, and resurrection; satisfy our hunger and thirst not for bread and drink alone, but for love, and truth, and justice, and peace; as we share your Son’s Body and Blood, renew us and energize us to be a true community of light amid the darkness of sin and injustice in our world; as Jesus invites us to share at his Table, let us in turn invite our brothers and sisters to the table where all can share the resources of your abundance, where justice and peace reign, and where love transforms souls and societies; as the drama of redemption continues, may life conquer death, may light shine in the darkness, and may courage and compassion grow from sacrifice; in Christ’s holy Name we pray. Amen.

Redemption – A Drama in Three Acts

Redemption is a drama in three acts – three acts and a brief intermission.

Act One, Scene One – Location: an upper room somewhere in Jerusalem.

In the first act, Jesus shares a special meal with his friends. He knows, although they seem not to, that this will be their last formal meal together. As supper he tries to explain to them what he believes is going to happen and how he hopes they’ll remember him. He uses bread and wine to make his point, but they don’t seem to understand. In fact, as the scene ends, they are arguing about their relative ranks! Who among them will be the greatest? The curtain falls on a frustrated rabbi.

Act One, Scene One – Location: an upper room somewhere in Jerusalem.

Dinner is over, so Jesus tries something else. Taking on the role of a servant, he kneels down and washes their feet, but they still don’t get it. Later they would begin to understand; later they would re-enact Jesus’ actions and ponder them again and again, trying to more fully understand him. We are still re-enacting; we are still pondering; we are still groping toward understanding. Attend a church service on Maundy Thursday evening as Christians do it again, as we seek to grasp Jesus’ meaning in the bread and wine, in the servant’s towel, in the basin of water and cleaning of feet.

Act One, Scene Three – Location: a garden at Gethsemane.

Depressed and agonizing, feeling he has failed, knowing his actions of the past three years are leading inexorably to a final “showdown” with the political authorities, Jesus spends time in prayer. He asks his closest friends to stay awake with him, but they cannot. Falling asleep as he prays, they abandon him emotionally just as they will later abandon him physically. Come spend time with Jesus in prayer. Can you do what his friends could not? Can you spend an hour awake with Jesus? Perhaps a church near you has a Chapel of Repose where you can spend some time with our Lord in the Blessed Sacrament. If not, just set aside time for an hour of prayer on Thursday night.

Act Two – Location: a hill called Calvary.

Jesus, struggling under the weight of a cross, staggers up the hill from the city to the summit. Once there, he is nailed to the cross he has dragged along the way. The crowd jeers, the soldiers mock, his friends (so few of them now) weep. Speaking from the cross as he dies, “Forgive them…. It is finished.” It certainly seems to be the end. What more could possibly come after the death of the drama’s protagonist? The Stations of the Cross, the Way of Tears, is a good meditation for Good Friday. Perhaps a nearby church will be offering the Liturgy of the Presanctified (Communion from the Reserved Sarament).

Intermission – Location: a sealed tomb.

The characters have all left the stage. It is bare and as silent as a grave. Is this intermission or has the drama concluded. The principal’s death certainly seems to have ended things! The silence of Holy Saturday is broken only by the Proanaphora, brief lessons and prayers. You can find a form of the Holy Saturday liturgy in The Book of Common Prayer; it is a fine morning interlude of quiet contemplation. What does all that has come before mean? How can there possibly be anything more after this?

Act Three – Location: a garden, the tombstone rolled away.

What seemed to be a tragedy at the end of the second act turns out to be a comedy. The tomb is empty! There are angels where there should be mourners! There are only folded linens where there should be a body! Confusion mixes with joy, disbelief encounters faith, death is overcome by life. The joke is on the powers of evil. But what does it all mean? Many who have missed the first two acts of this drama will be there to see the end of the story; can one truly appreciate the momentous conclusion without having lived through it all? Can they really get the punchline? Try to take part in the full story on Maundy Thursday, Good Friday, and Holy Saturday, but even if you can’t, join in celebration of the Resurrection at Easter services in a nearby church.

Redemption is a drama in three acts. Join in the experience as fully as you can!

Palm Sunday in Poetry – Sermon for April 1, 2012

Revised Common Lectionary for Palm Sunday, Year B: John 12:12-16; Isaiah 50:4-9a; Psalm 31:9-16; Philippians 2:5-11; and Mark 14:1-15:47

We have just read the simple, yet dramatic story of our Lord’s Passion as related in Mark’s Gospel. But we began our worship this morning with John’s story of Christ’s triumphal entry into Jerusalem. In the span of a few minutes we covered an entire week at the end of Jesus’ earthly life. Logic and reason cannot really make sense of this, and no ten-minute homiletic exegesis of these texts can help us comprehend the enormity of those events.

Perhaps, instead, some poetry.

Hark! how the children shrill and high
Hosanna cry,
Their joys provoke the distant sky,
Where thrones and seraphims reply,
And their own angels shine and sing
In a bright ring:
Such young, sweet mirth
Makes heaven and earth
Join in a joyful symphony.

And thus Holy Week begins on Palm Sunday. In this little poem entitled Palm Sunday by Henry Vaughan (1622-1695), the Welsh metaphysical poet, we get a glimpse of what was at the beginning, the joy that was supposed to be, the glory that was lost.

G.K. Chesterton (1874-1936), who has been called “the apostle of common sense” but was also known for his humor, gives us a glimpse into the mind of one of the lesser-considered characters in the drama of Jesus’ entering Jerusalem:

When fishes flew and forests walked,
And figs grew upon thorn,
Some moment when the moon was blood,
Then surely I was born.

With monstrous head and sickening cry,
And ears like errant wings,
The devil’s walking parody
Of all four-footed things.

The tattered outlaw of the earth,
Of ancient, crooked will;
Starve, scourge, deride me: I am dumb,
I keep my secret still.

Fools! For I also had my hour;
One far fierce hour and sweet:
There was a shout about my ears,
And palms before my feet.

Chesterton’s little poem is entitled The Donkey.

Marie J. Post (1919-1990), a 20th Century poet and hymn writer whose poems often appeared in The Banner, the denominational magazine of the Christian Reformed Church, in her poem, also entitled simply Palm Sunday, suggests parallels between that Palm Sunday ride and the Way of Tears Jesus would walk later in the week:

Astride the colt and claimed as King
that Sunday morning in the spring,
he passed a thornbush flowering red
that one would plait to crown his head.

He passed a vineyard where the wine
was grown for men of royal line
and where the dregs were also brewed
into a gall for Calvary’s rood.

A purple robe was cast his way,
then caught and kept until that day
when, with its use, a trial would be
profaned into a mockery.

His entourage was forced to wait
to let a timber through the gate,
a shaft that all there might have known
would be an altar and a throne.

A poem by a 17th Century Dutch theologian and poet, Jacobus Revius (1586-1658), whose poems have been translated into English by Dr. Henrietta ten Harmsel, helps us face the hard fact that it was our guilt, our sins for which Christ suffered; we are the villains in the tragedy that is Good Friday. His poem is entitled He Bore Our Griefs.

No, it was not the Jews who crucified,
Nor who betrayed You in judgment place,
Nor who, Lord Jesus, spat into Your face,
Nor who with buffets struck You as You died.
No, it was not the soldiers fisted bold
Who lifted up the hammer and nail,
Or raised the cursed cross on Calvary’s hill,
Or, gambling, tossed the dice to win Your robe.
I am the one, O Lord, who brought You there,
I am the heavy cross You had to bear,
I am the rope that bound You to the tree,
The whip, the nail, the hammer, and the spear,
The blood-stained crown of thorns You had to wear:
It was my sin, alas, it was for me.

Finally contemporary Canadian poet Carol Penner, who is also a Mennonite pastor, reminds us that the events of Palm Sunday and Holy Week are not simply historical events; they are present realities. Her poem is entitled Coming to the City Nearest You.

Jesus comes to Jerusalem, the city nearest you.
Jesus comes to the gate, to the synagogue,
to houses prepared for wedding parties,
to the pools where people wait to be healed,
to the temple where lambs are sold,
to gardens, beautiful in the moonlight.
He comes to the governor’s palace.

Jesus comes to Jerusalem, the city nearest you,
to new subdivisions and trailer parks,
to penthouses and basement apartments,
to the factory, the hospital and the Cineplex,
to the big box outlet centre and to churches,
with the same old same old message,
unchanged from the beginning of time.

Jesus comes to Jerusalem, the city nearest you
with his Good News and…
Hope erupts! Joy springs forth!
The very stones cry out,
“Hosanna in the highest,
blessed is he who comes in the name of the Lord!”
The crowds jostle and push,
they can’t get close enough!
People running alongside flinging down their coats before him!
Jesus, the parade marshal, waving, smiling.
The paparazzi elbow for room,
looking for that perfect picture for the headline,
“The Man Who Would Be King”.

Jesus comes to Jerusalem, the city nearest you
and gets the red carpet treatment.
Children waving real palm branches from the florist,
silk palm branches from Wal-mart,
palms made from green construction paper.
Hosannas ringing in churches, chapels, cathedrals,
in monasteries, basilicas and tent-meetings.
King Jesus, honored in a thousand hymns
in Canada, Cameroon, Calcutta and Canberra.
We LOVE this great big powerful capital K King Jesus
coming in glory and splendor and majesty
and awe and power and might.

Jesus comes to Jerusalem, the city nearest you.
Kingly, he takes a towel and washes feet.
With majesty, he serves bread and wine.
With honour, he prays all night.
With power, he puts on chains.
Jesus, King of all creation, appears in state
in the eyes of the prisoner, the AIDS orphan, the crack addict,
asking for one cup of cold water,
one coat shared with someone who has none,
one heart, yours,
and a second mile.
Jesus comes to Jerusalem, the city nearest you.
Can you see him?

In Hot Anger He Left – Exodus 11:4-8 – 31 Mar 2012

From the Daily Office Readings

Moses said to Pharaoh, “Thus says the Lord: About midnight I will go out through Egypt. Every firstborn in the land of Egypt shall die, from the firstborn of Pharaoh who sits on his throne to the firstborn of the female slave who is behind the handmill, and all the firstborn of the livestock. Then there will be a loud cry throughout the whole land of Egypt, such as has never been nor will ever be again. But not a dog shall growl at any of the Israelites – not at people, not at animals – so that you may know that the Lord makes a distinction between Egypt and Israel. Then all these officials of yours shall come down to me, and bow low to me, saying, ‘Leave us, you and all the people who follow you.’ After that I will leave.” And in hot anger he left Pharaoh.

(Exodus 11:4-8 – March 31, 2012)

Why is Moses angry at Pharaoh? Moses (and God) have put the Egyptians through a series of miserable plagues. The people of the Nile valley have lived through water turning to blood killing all life in the river; invasions of frogs, lice, and flies; livestock diseases; painful, unhealing boils; hail and thunder; locusts; and unnatural darkness. Throughout the course of this series of events, there have been many times when Pharaoh seemed on the verge of releasing the Hebrews but then “the Lord hardened Pharaoh’s heart, and he did not let the sons of Israel go.” (Exod. 10:20) ~ Over the years, I’ve read a lot of commentary on this passage, the introduction to the slaughter of the first born which is context of the Passover. Wesley opined, “Moses hereupon was provoked to a holy indignation, being grieved, as our Saviour afterwards, for the hardness of [Pharaoh’s] heart.” Well, yeah, but who’s responsible for that? Over and over again the Scripture tells us it was God who hardened Pharaoh’s heart! Pharaoh’s not just obstinate, he’s manipulated into stubbornness by God himself! Why be angry at Pharaoh? ~ I don’t really think he is. I think he was mad at God…. ~ I think it’s OK to be mad at God. We have the freedom to express and respond to that emotion, to own up to our occasional anger with God. When parishioners come to me and “confess” being angry at God, I tell them it’s OK, that God is a big boy and can take their anger. The issue to be addressed is whether they can! Can they pray their anger honestly? Prayer is not always peaceful and serene and believing that ought to be can be a real obstacle to faith. But praying out one’s anger is unfamiliar territory; it feels awkward; it’s not much like any prayer we hear in church. ~ Do you remember the episode of The West Wing in which Pres. Bartlett’s secretary was killed by a drunk driver? Her funeral was held in the Washington National Cathedral (an Episcopal church, by the way). After the funeral, Bartlett stays behind in the quiet privacy of the cathedral to offer a personal prayer to God … not out of sadness or faith or hope. His prayer is offered out of anger. He begins by calling God a “son of a bitch” and a “feckless thug.” Then, good Roman Catholic that Josiah Bartlett was, he continued in Latin. Here’s what he said: “Am I really to believe that these are the acts of a loving God? A just God? A wise God? To hell with your punishments. I was your servant here on earth and I spread your word and I did your work. To hell with your punishments and to hell with you!” No amen – just a cigarette stamped out on the cathedral floor, after which Bartlett stalked out. Pretty clearly “in hot anger he left.” Praying our anger is not like any prayer we (usually) hear in church. ~ Scripture doesn’t tell us what Moses did in or with his anger, but we do know what followed. The story of Moses’ “hot anger” and what followed it affirms for us that anger, even anger at God, need not be destructive. It can be the source of a rebirth of hope; it can heighten our confidence in the future, and empower us to undertake the creation of a new reality. Appropriately and creatively channeled, anger, even anger at God, can lead us out of bondage and into freedom.

Treasure in (Cracked and Flawed) Clay Jars – 2 Cor. 4:7-10 – 30 Mar 2012

From the Daily Office Readings

We have this treasure in clay jars, so that it may be made clear that this extraordinary power belongs to God and does not come from us. We are afflicted in every way, but not crushed; perplexed, but not driven to despair; persecuted, but not forsaken; struck down, but not destroyed; always carrying in the body the death of Jesus, so that the life of Jesus may also be made visible in our bodies.

(2 Corinthians 4:7-10 – March 30, 2012)

I can’t read Paul’s words “treasure in clay jars” without thinking of this old Indian parable. ~ Once upon a time, there was a man who lived on a hillside high above the river. He had to fetch his water from the river every day. He did this with two large earthen jars slung from a yoke carried across his neck. The jars were heavy and it was a long path with many switchbacks down to the river, but the path was bordered by flowers and he didn’t mind the walk or the work at all. Both of the water jars were large and held several gallons, but there was a tiny crack in one so that the water would gradually leak out of that jar and splash on to the side on the path. The cracked jar was very sad that it lost half its water on the way back from the river each time. After many years the jar spoke to the man and apologized for being such a failure. “Why should you feel like that?” asked the man, ” I knew all about that crack; in fact, I made use of it.” “What do you mean?” asked the jar. “Well look,” he replied, “Do you see the flowers growing by the side of the path?” The jar looked and, sure enough, there were beautiful flowers growing all along the way. “Those flowers are there because I knew you had that small leak. I sowed some flower seeds along the side of the path and as I walked, the water leaking from your small crack watered them. For years now I’ve enjoyed those flowers as I walk, and I’ve been able to pick fresh flowers every day to decorate my home. I couldn’t have done that if you hadn’t watered them through that little crack. So, you see, I like you just the way you are. You are a very treasured water jar!” ~ Like the earthen jar carrying water, we carry in our cracked and faulty bodies the death of Jesus. And like the water that leaked from the jar, the life of Jesus flows out from us to accomplish his work in the world. This extraordinary power does not come from us, but we are the conduit (even and often when we don’t realize it). ~ As a preacher, I continue to relearn this each time someone refers to “something you said in a sermon”. I never remember my sermons! I look back on notes or scripted sermons from which I’ve preached and think, “Did I say that?” Apparently I did … and apparently it made a difference in someone’s life, watered some flowers along their path! So to preachers especially but to everyone, be assured – you are an earthen jar, probably a flawed one, carrying the death of Jesus in yourself that you may spread the life of Jesus to those around you, even though you may not realize it.

From the Daily Office – Mark 10:23-27 – March 29, 2012

From Mark’s Gospel ….

Jesus looked around and said to his disciples, “How hard it will be for those who have wealth to enter the kingdom of God!” And the disciples were perplexed at these words. But Jesus said to them again, “Children, how hard it is to enter the kingdom of God! It is easier for a camel to go through the eye of a needle than for someone who is rich to enter the kingdom of God.” They were greatly astounded and said to one another, “Then who can be saved?” Jesus looked at them and said, “For mortals it is impossible, but not for God; for God all things are possible.”

(From the Daily Office Readings – Mark 10:23-27 – March 29, 2012)

Threading a needle…. That used to be a simple task for me. I was very, very near-sighted. I could barely see a school bus twenty feet away without my pop-bottle-bottom spectacles. But I could thread a needle! I could do anything that required close-up detail work; I had marvelous up-close vision. Then one day in 1995 (I think it was 1995) my mother saw my glasses. “Good Heavens! Are your eyes that bad?” – “Yes, Mother, they always have been.” – “Why don’t you have that Lasik surgery?” – “Because I can’t afford it, Mother.” – “You get it done. I’ll pay for it.” ~ (Side comment: My mother was a depression child born in 1919. As a result of spending her formative pre-teen and teen years in the years of the Great Depression, she was one of the most tightfisted people I’ve ever known when it came to spending money on herself or her spouse, my step-father. She would not spend a dime on her own healthcare, even when she felt badly. But she was generous to a fault with her children, her grandchildren, her friends, and her church. If she’d been less generous to us and more generous to herself, she might still be alive. But that’s another story.) ~ So I talked with my ophthalmologist, who had earlier been quite negative about PK and RK and other forms of keratotomy, and he thought Lasik would be a good option. He referred me to a surgeon. A couple of weeks later, I was able to do everything without glasses … everything except thread a needle. Now I needed a pair of dime-store “cheaters” to do what had once been easy, and even though I squinted and used those magnifying lenses I had difficulty. Getting anything through the eye of a needle, much less a camel, is no mean task! ~ About thirty years before that surgery, I visited the Cathedral at Chartres on my first trip to Europe. I was 16 years old at the time. I walked the labyrinth there. Since that first time I’ve walked many replicas of that deceptively simple path and other forms of labyrinth. Threading one’s way through the labyrinthine path requires concentration (especially in a cathedral full of tourists, but really at any time, even when completely alone). It is a careful endeavor not unlike threading a needle; one might even say it is a soulful endeavor. ~ Perhaps the most famous labyrinth in history or myth is the one built on Crete to house the Minotaur. King Minos’s daughter Ariadne fell in love with Theseus, an Athenian who was to be a sacrificial victim of the Minotaur. She gave Theseus a ball of thread to unwind as he made his way through the labyrinth, which showed him the path to by which he could leave once he had done battle with the beast (assuming he killed it, which he did). It was her thread of love which helped Theseus thread his way through the labyrinth. ~ Our walk through a spiritual labyrinth is said represent our way through life. Victor Hugo once said, “He, who every morning plans the transactions of the day, and follows that plan, carries a thread that will guide him through a labyrinth of the most busy life.” I’m not so sure that’s true, however; plans are too often subject to change! Like the odd turnings of the Chartres labyrinth, we meet with obstacles which change our direction; when we seem to be headed for our goal, suddenly the way changes; even though we squint and use magnifying glasses, the way through is unclear. We may not be able to follow our plans and we may not see the way ahead, but we are threaded through the unexpected and unknown path of life if we trust and rely on God’s guidance. Like Ariadne’s thread of love, God’s love threads us through life’s labyrinthine ways. Following God’s guidance is a careful, soulful endeavor, but “with God all things are possible.”

(The labyrinth pictured here is on the grounds of the Ariadne Retreat Center in Georgetown, California.)

From the Daily Office – 2 Corinthians 3:1-2 – March 28, 2012

From Paul wrote ….

Are we beginning to commend ourselves again? Surely we do not need, as some do, letters of recommendation to you or from you, do we? You yourselves are our letter, written on our hearts, to be known and read by all; and you show that you are a letter of Christ, prepared by us, written not with ink but with the Spirit of the living God, not on tablets of stone but on tablets of human hearts.

(From the Daily Office Readings – 2 Corinthians 3:1-2 – March 28, 2012)

Last Sunday the Year B Revised Common Lectionary for the 5th Sunday in Lent called for a reading from the Prophet Jeremiah which included these words from God, “I will put my law within them, and I will write it on their hearts.” (Jer. 3:33) My son Patrick, who is a priest in Kansas, preached a marvelous sermon on the Jeremiah lesson which is posted on his blog. In it he makes reference to a rabbi commenting on that text, “Well, God writes his Law on our hearts so that when our heart inevitably breaks, the Law falls in.” Here Paul takes up the “writing on your heart” image applying it not to the Law but us, to the Christian community as a whole and to each individual Christian. I think the Rabbi’s words apply equally well to Paul’s use of the metaphor. When our hearts inevitably break, what falls in is no longer only the Law, but also our brothers and sisters in faith who fall into our woundedness to help us heal. ~ I remember that Christ began his ministry by reading from the Prophet Isaiah in his hometown synagogue, “The spirit of the Lord God is upon me … to bind up the brokenhearted….” (Isa. 61:1, although as quoted in Luke 4:18-19 these specific words are not included). If that was part of Christ’s mission (and I believe it was), it is now our mission. ~ I remember the words of St. Teresa of Avila, “Christ has no body now on earth but yours, no hands but yours, no feet but yours. Yours are the eyes through which to look out Christ’s compassion to the world. Yours are the feet with which he is to go about doing good; yours are the hands with which he is to bless men now.” So it is fitting that we are a letter written on one another’s hearts; it is fitting that we fall into one another’s hearts when they are broken, for it can only be through us that the Lord “heals the brokenhearted and binds up their wounds.” (Ps. 147:3) ~ I remember, finally, a sermon preached when I was in seminary. It was preached on the evening of February 24, 1991, the day President George H.W. Bush ordered US forces to invade Iraq. The preacher began, as Episcopal clergy often do, with a prayer of dedication. On this day he said, “In the Name of God the Brokenhearted.” It is a turn of phrase that has stuck with me through the years; it calls to mind a verse in Scripture, “And the Lord was sorry that he had made humankind on the earth, and it grieved him to his heart.” (Gen. 6:6) ~ As I read my son’s sermon, as I ponder Paul’s letter, and as I again remember that opening dedication, I wonder …. who falls into God’s heart when God’s heart is broken? Who heals the broken heart of the Healer?

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