That Which We Have Heard & Known

Occasional thoughts of an Anglican Episcopal priest

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Leaving Us with a Question: Sermon for the 15th Sunday after Pentecost, Proper 20A — September 21, 2014

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On the 15th Sunday after Pentecost, September 21, 2014, this sermon was offered to the people of St. Paul’s Episcopal Church, Medina, Ohio, where Fr. Funston is rector.

(The lessons for the day, RCL Proper 20A, Track 2, were Jonah 3:10-4:11, Psalm 145:1-8, Philippians 1:21-30, and Matthew 20:1-16. These lessons can be read at The Lectionary Page.)

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Jonah and the Gord VineLet’s talk about Jonah. When I say something like “Let’s talk about Jonah,” I have to be more specific. I have to tell you whether I mean “Let’s talk about the Book of Jonah” or “Let’s talk about the character of Jonah portrayed in the book” or “Let’s talk about the Prophet Jonah.” In this case, I mean all three: let’s talk about the book, character, and the prophet — although, to be honest, the prophet’s name really isn’t Jonah; we don’t know the prophet’s name — and that, I hope, will be clearer in a moment.

So, first, the book. The Book of Jonah tells a story from about the end of the 8th Century BCE, but it was written 300 or so years later in the late-5th or early-4th Century BCE. It is addressed to the people who have just returned from the Babylonian exile, who have come back to Jerusalem under the leadership of the priest Ezra and the governor Nehemia. Under Ezra’s and Nehemia’s oversight they are rebuilding the Temple, reestablishing Jewish worship, and (very likely) canonizing the Torah (the five books of Moses).

This is the social milieu within which the book is written. The story in the book, however, is set about 350 years before, around the year 700 BCE. Back then, Judea and its capital had been a vassal state under the Assyrian empire. It was under Assyrian rule that the “ten lost tribes of Israel” were lost. Under a particularly ruthless and brutal king named Sennacherib, the Assyrians became rather unhappy with the Judeans, and laid siege to and sacked Jerusalem in 701 BCE.

We know a lot about the Assyrians because they kept really good records. In the 1800s archeologists discovered the Royal Library of Ashurbanipal in the Assyrian capital city of Nineveh (that name should ring a bell!) consisting of more than 30,000 cuneiform tablets recording Assyrian history. In addition, the Assyrians were fond of illustrating their history, particularly their military victories, with sculpted and brightly painted bas relief murals. In one of the royal dining rooms of Sennacherib’s palace in Nineveh, for instance, there still exists such a sculpture depicting the siege of Lachish, another Judean city captured and destroyed at the same time as the siege of Jerusalem. We know from this mural and from other records that Lachish fared much worse than Jerusalem; its leaders were tortured to death and the town was leveled. That mural in Sennacherib’s dining room shows (in rather graphic detail) the Jewish leadership of Lachish being flayed alive by Assyrian soldiers.

So that is the setting of the story: it was written shortly after the end of the Babylonian exile and set at the time of the brutal Assyrian siege of Jerusalem and Lachish. However, the story of Jonah is not history. It is set in historically verifiable places — Israel, the Mediterranean Sea, and the city of Nineveh — at an historically verifiable time — about the high point of what is called the “Neo-Assyrian Empire,” but it is not itself history. It is, in fact, a work of fiction.

How do we know that? Well, there are several indicators, but let’s just look at a few glaring examples. First, not in the part we read today but in the first chapter, Jonah tries to escape his commission from God by fleeing to Tarshish (about which more in a moment). Instead of traveling northeast to Nineveh, he books passage on a ship heading west, and what happens? You know the story: a big storm kicks up, the sailors become frightened and convinced that some god is trying to kill them, they determine that it’s Jonah’s God, and they throw him overboard. The storm comes to an end and Jonah is swallowed by a “big fish” in whose belly he survives for three days. That ought to be the first clue that we are dealing with a fanciful tale: there are no fish (or other animals) native to the Mediterranean Sea big enough to swallow a human being and, if there were, it would be physically impossible to live three days inside one. (Certainly, I’m not suggesting that God could not have provided a miraculously big fish equipped as a mini-sub; I am suggesting that it’s unlikely.)

The second hint is the description of Nineveh. We read in Chapter 3 that “Nineveh was an exceedingly large city, a three days’ walk across.” (v. 3) But we know from archeology that that’s just not the case! The city of Nineveh was not quite 1900 acres, which is a little less than 3 square miles. It was, maybe, 1-3/4 miles across. You can walk that in under 40 minutes.

The third clue to the fictionality of this story is in the meat of the story itself. Just before the portion we heard today, the king of Nineveh, ruthless and brutal Sennacherib, in response to Jonah’s prophetic proclamation that the city would be destroyed in forty days, rises from his throne and issues this decree:

By the decree of the king and his nobles: No human being or animal, no herd or flock, shall taste anything. They shall not feed, nor shall they drink water. Human beings and animals shall be covered with sackcloth, and they shall cry mightily to God. All shall turn from their evil ways and from the violence that is in their hands. Who knows? God may relent and change his mind; he may turn from his fierce anger, so that we do not perish. (3:7-9)

If there had ever been such a decree or such a nationwide fast in Assyria, it would have been mentioned somewhere in those 30,000-plus tablets in the Royal Library of Ashurbanipal. But it’s not. There’s not the slightest bit of evidence that such a thing ever happened.

So, there you have it, a little bit of fiction, a short, satirical story (and it is short — only four brief chapters) plunked down in the middle of the Bible’s records of prophecy. But that’s OK; through the medium of this short satire a theological truth, a prophetic message is nonetheless conveyed. The prophetic import of the Book of Jonah, however, is not to be found in the words of its principal character, as is the case in most of the prophetic record. The prophetic message of the Book of Jonah is in its principal character himself, not in what he says, but in what he does and in what he represents. The Book of Jonah is prophecy the same way that Hosea’s marrying a prostitute was prophecy, the same way Micah’s wandering the streets of Jerusalem naked was prophecy, the same way Jeremiah’s failure to mourn his wife was prophecy. The people of Israel and Judea saw their one unfaithfulness reflected in Hosea’s spouse, their own shame in Micah’s nakedness, their own bereavement in Jeremiah’s loss. And the people of 4th Century Jerusalem recently returned from the Babylonian exile, would have recognized themselves in the character of Jonah.

In his book And God Created Laughter (Westminster John Knox: 1988), Presbyterian pastor and Professor of Religion Conrad Hyers, wrote this about this character:

Certain details of the comic caricature of Jonah, for instance, are more apparent in the Hebrew. No doubt these allusions were clearer to the people who first heard or read the story.

The opening words of the book of Jonah are a case in point. “Now the word of the Lord came to Jonah the son of Amittai.” Innocent as these words may seem, in Hebrew they contain two important allusions that are central to the comedy that is to follow. Jonah means “dove,” a metaphor sometimes used for the people of Israel, as in Psalm 74:19. Now the image of the dove brings with it a trail of associations that — as the story indicates — are the opposite of what Jonah (Israel) really is.

The dove is associated with hope, as in Noah’s sending out a dove to find land after the flood. Yet this dove (Jonah) behaves in a most contrary manner: sent out to warn of impending destruction, he refuses lest the judgment be averted. The dove is also associated with the theme of escape from troubles and evils, as in Psalm 55:6, “O that I had wings like a dove.” Yet this dove (Jonah) tries to escape from his mission in the hope that Nineveh cannot possibly escape from doom. The dove is further associated with love, as in the Song of Solomon, in which the beloved is dovelike: “My love, my fair one . . . my dove” (2:13,14). Yet this dove (Jonah) has not only no love for the Ninevites but not a penny’s worth of sympathy or pity. Jonah is no dove at all; he is a hawk. Perhaps the only Hebraic association that is directly applicable to Jonah is that he is “like a dove, silly and without sense” (Hos. 7:11). Certainly, flightiness and silliness aptly describe Jonah’s behavior throughout the story.

The other ironic allusion in the opening words is contained in the phrase “son of Amittai.” Amittai means “faithfulness.” A second contradiction with which the story is to deal is announced at the start. This “son of faithfulness” is completely disobedient. His response to the divine command is totally contrary to it. “Dove son of Faithfulness” flies off in the opposite direction lest he become the bearer of the least olive leaf of hope, love, and salvation. (pp. 99-100)

Prof. Hyers mentions Psalm 74 as one instance in which the dove is a symbol for Israel; others are found in the Prophets Hosea (7:11) and Jeremiah (48:28). Surely, this short story’s first readers would have recognized this.

They would also have recognized Israel in Jonah’s tendency to do the opposite of what God had commanded and would have seen allusions to their own worship and liturgy. Prof. Hyers mentions two examples from the sacred poetry of the Psalms and the Song of Solomon. Another is found in Psalm 139:

Where can I go then from your Spirit? *
where can I flee from your presence?
If I climb up to heaven, you are there; *
if I make the grave my bed, you are there also.
If I take the wings of the morning *
and dwell in the uttermost parts of the sea,
Even there your hand will lead me *
and your right hand hold me fast. (vv 6-9, BCP Translation)

In the story, as I mentioned earlier, Jonah is told to travel to the northeast to Nineveh. Nineveh still exists: today it is called Mosul, a city in Iraq with which we have all become familiar because of current events and recent news coverage. To get there from Jerusalem, Jonah should have traveled north to Damascus, then east to Baghdad, then north again to Nineveh, a journey of about 865 miles. Instead, Jonah tried to go west about 3,000 miles to Tarshish. Tarshish is the Hebrew variant of the Greek city name Tartessos, a city in Spain. Today, it is called Cadiz. Located on the Atlantic coast of Spain, to the west of the strait of Gibraltar, it was as far to the west as someone in the ancient Middle East could imagine going! Once one sailed past the Pillars of Hercules, there was nowhere to go, except to drop off the edge of the world. It was truly, in the words of the Psalm, “the uttermost parts of the sea.” And yet, even by going there Jonah could not flee from the presence of the Lord, even there God’s “right hand held him fast.”

So . . . we know now that the Book of Jonah is a short story, perhaps a satirical or humorous one, relaying through the medium of fiction a theological truth. We know that the people of post-Exile Jerusalem would have recognized themselves in its principal character, Jonah. Jonah is called a prophet but, in truth, he’s more like a missionary. Prophets were usually commissioned to speak to God’s own people, whereas Jonah was commissioned to convey the message of God’s justice to a foreign people. When prophets were commanded to speak to foreigners, it was usually to those living in the territory of Israel or Judeah; Jonah is commanded to travel almost 900 miles to the foreigners’ own country to convey God’s message. Try as he might not to do so, he ends up having no choice and eventually preaches to the Ninevites as God requires. And, unlike most prophets, he is actually listened to! The Ninevite king issues that decree that all the people and animals will fast, and they do so.

And what happens? God relents. Instead of destroying the city as the wicked and sinful Ninevites deserve, God pardons them and Jonah gets righteously angry, and this is where we entered the story in today’s lesson, at the very end. Jonah says to God, “See? I knew this would happen!” In the words of the text, “Is not this what I said while I was still in my own country? That is why I fled to Tarshish at the beginning; for I knew that you are a gracious God and merciful, slow to anger, and abounding in steadfast love, and ready to relent from punishing.”

Jonah is so angry that he just wants to die. “Lord, please take my life from me, for it is better for me to die than to live.” This is when God does the thing with the bush which grows up overnight, provides Jonah with shade the next day, then dies leaving Jonah on the following day to withstand the desert sun and heat. This just makes Jonah madder, so he repeats his death wish, “It is better for me to die than to live.” God, using the plant as a teaching tool, replies, “You are concerned about the bush . . . should I not be concerned about Nineveh . . . ?”

And, guess what? That’s the end of the story! God, in good rabbinic fashion using what we call “the Socratic method,” teaches Jonah — who is really the people of Israel — by leaving him — and them and us — with a question.

Jonah and the Israelites want God to be fair. These Ninevites, these Assyrians, are terrible, brutal, despicable people; they attacked and conquered God’s Chosen People; they flayed human beings alive; they decorated their dining rooms with color pictures of this being done. If God were fair, God would wipe them out; that’s what Jonah (and Israel) want. Instead God says, “Shouldn’t I rather be compassionate and merciful?” And leaves them — and us — to contemplate that question.

Whoever the nameless prophet who wrote this little story was, he was brilliant, because there is only one answer to that question just as there is only one answer to the question Jesus poses in gospel parable of the laborers in the vineyard. Hired at different times of the day, some at first light, others throughout the day, and the last just an hour before quitting time, they are all nonetheless paid the same wage. When those who worked all day complain, when they want the owner of the vineyard to be fair, the owner (God!) replies, “Shouldn’t I rather be generous?” And Jesus leaves his disciples — us — to contemplate the question.

Of course, we don’t want God to be fair! If God is going to be fair to “them” (the Assyrians, the later workers, whomever), God is going to be fair to us, too. Is that what we want? Wouldn’t we rather that God be compassionate and merciful and generous?

The good news is that that is what God is. Amen.

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A request to my readers: I’m trying to build the readership of this blog and I’d very much appreciate your help in doing so. If you find something here that is of value, please share it with others. If you are on Facebook, “like” the posts on your page so others can see them. If you are following me on Twitter, please “retweet” the notices of these meditations. If you have a blog of your own, please include mine in your links (a favor I will gladly reciprocate). Many thanks!

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Father Funston is the rector of St. Paul’s Episcopal Church, Medina, Ohio.

Depression – A Poem – 13 September 2014

Exhausted Angel

Depression

“Just choose to be happy,” you said,
“that’s all there is to it.”
But that idea won’t live in my head,
’cause my brain is washed in shit.

“It’s a chemical thing, you see,” they say.
It’s a medical issue; that’s granted.
For people like me, there’s really no way
to simply “bloom where you are planted.”

I know I’m no fun when my attitude’s crappy,
and I know you want to go dancing.
But it takes lots of work, this façade that looks happy,
and, frankly, it’s fucking exhausting!

One day a week I can fake a few hours;
One day a week I can smile.
But that, my dear, is the extent of my powers;
I can only pretend for a while.

So leave me alone; give me some solitude.
Don’t hold me tight; let me be.
Please believe that I don’t want to be rude;
I just want to go back to sleep.

– by C Eric Funston, 13 September 2014

Self-Doubt – A Poem – 12 September 2014

Pea and Mattresses

Self-Doubt

There,
just beneath the reflection
of applause and acclaim;
there,
not quite within the glare
of commendation;
there,
just outside the illumination
of honor and praise;
there,
in the shadow not the glow
of admiration.
There;
that is where
(you think)
you’ll find it.

But you don’t find it,
you feel it.
Poking you,
a thorn in your side;
jabbing you,
a pea under a hundred mattresses.
No one feels it but you.
It’s your thorn
in your side;
it’s your pea
under your mattress.
You know it’s there
even though
no one else
is aware,
and even you
can’t find it;
you feel it.

If you could find it;
you could deal with it.

by C Eric Funston 12 September 2014

The Lump – A Poem – 11 September 2014

Beach and Waves

The Lump

I find myself on the verge . . . .
surveying a field of scarlet
agony, an emotional landscape
clutching me, drawing me down,
like Psyche’s dragon
with talons
sharp as sarcasm,
pointed as wit,
dry as tears
of dusty years gone by
when I was not looking.

I find myself on the shore . . . .
wading in the rolling whitecaps
of insecurity, a sea of misgiving
drowning me, tearing my soul
like Prometheus’ raven
with a beak
harsh as distrust,
piercing as doubt,
rough as faith
in unknown gods who die
while I am not looking.

I find myself on the cliff . . . .
standing at the edge of a precipice
of dismay, an abyss of bewilderment
inviting me, calling my spirit
like Icarus’ wings
with feathers
light as anxiety,
waxen as worry,
soft as fear
of a future failing because
I may not be looking.

And the tears . . .
and the uncertainty . . .
and the tears . . .
and the lump in my throat
that won’t go away . . .
and the tears . . .
and the tears . . .
always the tears . . . .

– by C Eric Funston, 11 September 2014

Marriage: Early Morning – A Poem – 10 September 2014

Loaded Dishwasher

Marriage: Early Morning

Morning, gray mist,
caressing warm mug,
rich coffee steam,
senses alert but soothed,
peaceful moment,
quiet moment,
almost, not quite, silent,
like a kitten softly purring.

Clank of glass!
Clink of china!
Rattle of flatware!
Slam of dishwasher door!
Why must she do this now?
Every nerve jarred and
stretched like a rubber band
just before it breaks.
My ears hurt!

How could two people have
such different rhythms
after decades
together?

“Please,” I want to say,
“Please . . . .”
Like some cat mewling
for its morning kibble.
“Please, can’t we enjoy
the morning’s silence?”

But, no. Best to endure,
just a moment . . .
or ten . . . or twenty.
Over, it will be over,
sometime . . . soon?

– by C Eric Funston, 10 September 2014

garden outside – A Poem – 9 September 2014

Weeping Japanese Maple

garden outside

gentle movement, japanese maple weeping
red maroon tears outside my window
further on gray boulder pachyderm sleeping
hunched untouched by breezes slow

tall brown grass, weeds elegant, nearby swaying
like wheat and tares of scripture’s tale
rose bush, heat spent, nods as if praying
telling its beads with silent wail

autumn garden, botanical sclerosis,
ends its season dusty and gray
brittle, the stems that once held posies
dreaming of spring, so far away

– by C Eric Funston, 9 September 2014

God Damn! – A Poem – September 7, 2014

You've gotta say "I'M A HUMAN BEING, GOD DAMNIT! My life has value!"

God Damn!

I said it!
I said it from the pulpit!
Into the ears
of little-old-ladies-with-blue-hair;
into the ears
of young-fathers-with-first-grade-children;
into the ears
of strait-laced-conservative-young-business-women
into the ears
of unexpecting parishioners who never believed
they would hear
“God damn”
from the pulpit.
It was, I said,
in a poem
and I wanted to honor
the poet and the poet’s decision
to be true to the poet’s vision.
Treat it, I said,
as a teaching moment
about the use of rough language
as an artistic decision
as a literary device
as a method of emphasis.
“God damn right!” I thought
in the silence of my own mind.
I said it!
I said it from the pulpit!
And the little old ladies with blue hair
were shocked (I saw it in their eyes)
and the young fathers with first grade children
were angry (I saw it in their eyes)
and the strait-laced conservative young business women
were scandalized (I saw it in their eyes).
Why?
Moses commanded the people of God
not only to pronounce blessings
but also curses,
not only to celebrate good
but also to condemn evil.
Jesus healed and blessed,
but he also cursed;
he set a table for thousands,
and overturned tables in the Temple.
Perhaps we have not said it enough;
Perhaps we should have said it
from the pulpit
more often.
God damn cruelty
God damn oppression
God damn prejudice
God damn racial profiling
God damn homophobia
God damn apartheid
God damn security barriers
God damn war
God damn death and disease and evil and . . .
the list goes on.
Perhaps we have not said it enough.
So that
the little old ladies with blue hair
ought not be shocked
the young fathers with first grade children
ought not be angry
the strait-laced conservative young business women
ought not be scandalized.
Perhaps we should say it
from the pulpit
more often.
“God damn!”

– by C. Eric Funston, 7 September 2014

My Early Life in Sports – A Poem – August 22, 2014

Teaball

My Early Life in Sports

She called it a ball
(my grandmother did)
but it wasn’t a ball
not to my mind
this “ball” was shaped like
a large walnut or a small egg
it wasn’t round
to my mind a ball
is round
except, of course,
the oblong oddly-shaped pigskin
my brother would toss in the yard
and play “flag” with his friends
and tell me I couldn’t play because
I was too little and too young and
“Go away!”

She called it a ball
but it wasn’t a ball
not to my mind
this “ball” was made of
cheap pressed metal covered
with shiny chrome
it wasn’t made of rubber
to my mind a ball
is made of rubber
except, of course,
the billiard balls on the felt covered tables
in the store-front first-floor pool hall
beneath my grandfather’s second-floor
insurance agency
the pool hall I wasn’t supposed to enter
except, of course,
that I did and learned to shoot snooker
at seven years of age —
seven-year-old snooker-shootin’ Kansas Slim —
until someone would say
what’s that kid doing here?
“Get lost!”

She called it a ball
but it wasn’t a ball
not to my mind
this ball was attached to a chain
a chain that ended in a hook
to my mind a ball
is unattached
except, of course,
the red rubber ping-pong-sized ball
attached by its long elastic rubber band
to the wooden paddle my cousin
could hit that thing a thousand times
and never miss and I was lucky
to hit it maybe five times
before it would hit me in the face
and my cousin would laugh and take it back
“Give it!”

She called it a ball
but it wasn’t a ball
not to my mind
this ball was covered with holes
to my mind a ball
has a solid surface no holes
except, of course,
the whiffle ball we would take to the street
and hit with a stick when we couldn’t find the bat
playing what we called baseball
but the adults called stickball
in the middle of Fourth Street
until some driver or the local cop
would tell us no you can’t do that
“Go home!”

She called it a ball
and when I’d come home because
I couldn’t play football or
I couldn’t play snooker or
I couldn’t play paddle ball or
I couldn’t play baseball then
she’d take that ball from it’s nail
above and a little to the side of her stove
and she’d open it up and fill it with tea
and hang it on the side of her tea pot
that chipped china pot with the roses
and fill the pot from her kettle
into a cup she’d put a spoon or two of honey
with a couple crushed leaves of fresh mint
from the patch between the hen house and the fence
and she’d pour the tea
and we’d sit
and I’d forget
about football or snooker or paddle ball or baseball

She called it a ball
but it wasn’t a ball
not to my mind
to my mind a ball
is not magic

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by C. Eric Funston
22 August 2014

We Should Think . . . – From the Daily Office – August 21, 2014

From the Acts of the Apostles:

An angel of the Lord said to Philip, “Get up and go towards the south to the road that goes down from Jerusalem to Gaza.” (This is a wilderness road.) So he got up and went.

(From the Daily Office Lectionary – Acts 8:26-27a (NRSV) – August 21, 2014)

Telephone Call to MinistryI suppose that if “an angel of the Lord” told me to “get up and go” that I’d do as Philip did, even in these times when a trip to Gaza would not be the most pleasant journey one could make. I have often remarked at the willingness of the early disciples to drop everything and respond to these calls to ministry. The response of the first of the apostles, of Simon Peter and his brother Andrew, of James and John (the sons of Zebedee), to leave their fishing businesses and take off with Jesus is the same. (Mt 4:18-22) The response of Matthew (or was he called Levi) to leave his tax booth is the same. (Mt 9:9) “Come” and they come; “get up and go” and they go. Modern folk are seldom so swift to respond.

Of course, we live in a world (at least in the United States . . . at least in the Episcopal Church in the United States) that discourages swift responses to God’s call.

We should really think about that!

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A request to my readers: I’m trying to build the readership of this blog and I’d very much appreciate your help in doing so. If you find something here that is of value, please share it with others. If you are on Facebook, “like” the posts on your page so others can see them. If you are following me on Twitter, please “retweet” the notices of these meditations. If you have a blog of your own, please include mine in your links (a favor I will gladly reciprocate). Many thanks!

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Father Funston is the rector of St. Paul’s Episcopal Church, Medina, Ohio.

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