That Which We Have Heard & Known

Occasional thoughts of an Anglican Episcopal priest

Page 120 of 130

From the Daily Office – February 20, 2012

If then there is any encouragement in Christ, any consolation from love, any sharing in the Spirit, any compassion and sympathy, make my joy complete: be of the same mind, having the same love, being in full accord and of one mind. Do nothing from selfish ambition or conceit, but in humility regard others as better than yourselves. Let each of you look not to your own interests, but to the interests of others. Let the same mind be in you that was in Christ Jesus. (From the Daily Office Readings, Feb. 20, 2012, Philippians 2:1-5)

From the Daily Office – February 19, 2012

Now the Lord is the Spirit, and where the Spirit of the Lord is, there is freedom. And all of us, with unveiled faces, seeing the glory of the Lord as though reflected in a mirror, are being transformed into the same image from one degree of glory to another; for this comes from the Lord, the Spirit. (From the Daily Office Readings, Feb. 19, 2012, 2 Cor. 3:17-18)

From the Daily Office – February 18, 2012

“We know love by this, that he laid down his life for us – and we ought to lay down our lives for one another. How does God’s love abide in anyone who has the world’s goods and sees a brother or sister in need and yet refuses help? Little children, let us love, not in word or speech, but in truth and action.” (From the Daily Office Readings, Feb. 18, 2012, 1 John 3:16-18)

The Story of Naaman of Syria

On Sunday, February 12, 2012, the reading from the Hebrew Scriptures for Christian churches which use the Revised Common Lectionary (the Episcopal Church being one of them) was the story of Naaman, a general from the country of Aram (modern day Syria). Naaman is a leper who comes to Israel and is cured when, following instructions of Elisha the prophet, he bathes in the River Jordan. Here is how the story is related in the first half of the fifth chapter of the Second Book of Kings:

Engebrechtsz, Cornelis 1468-1533.-"The prophet Elijah cures the Syrian commander Naaman of leprosy in the river Jordan", c.1520.-Centre panel of a winged altar piece. On oak, 59 x 38cm.Naaman, commander of the army of the king of Aram, was a great man and in high favor with his master, because by him the LORD had given victory to Aram. The man, though a mighty warrior, suffered from leprosy. Now the Arameans on one of their raids had taken a young girl captive from the land of Israel, and she served Naaman’s wife. She said to her mistress, “If only my lord were with the prophet who is in Samaria! He would cure him of his leprosy.” So Naaman went in and told his lord just what the girl from the land of Israel had said. And the king of Aram said, “Go then, and I will send along a letter to the king of Israel.”

He went, taking with him ten talents of silver, six thousand shekels of gold, and ten sets of garments. He brought the letter to the king of Israel, which read, “When this letter reaches you, know that I have sent to you my servant Naaman, that you may cure him of his leprosy.” When the king of Israel read the letter, he tore his clothes and said, “Am I God, to give death or life, that this man sends word to me to cure a man of his leprosy? Just look and see how he is trying to pick a quarrel with me.”

But when Elisha the man of God heard that the king of Israel had torn his clothes, he sent a message to the king, “Why have you torn your clothes? Let him come to me, that he may learn that there is a prophet in Israel.” So Naaman came with his horses and chariots, and halted at the entrance of Elisha’s house. Elisha sent a messenger to him, saying, “Go, wash in the Jordan seven times, and your flesh shall be restored and you shall be clean.” But Naaman became angry and went away, saying, “I thought that for me he would surely come out, and stand and call on the name of the LORD his God, and would wave his hand over the spot, and cure the leprosy! Are not Abana and Pharpar, the rivers of Damascus, better than all the waters of Israel? Could I not wash in them, and be clean?” He turned and went away in a rage. But his servants approached and said to him, “Father, if the prophet had commanded you to do something difficult, would you not have done it? How much more, when all he said to you was, `Wash, and be clean’?” So he went down and immersed himself seven times in the Jordan, according to the word of the man of God; his flesh was restored like the flesh of a young boy, and he was clean. (2 Kings 5:1-14 [NRSV])

That’s where the RCL leaves the story, with Naaman cleansed by the mighty power of God. Great story! Wonderful story! A miracle healing that proves the power of God. It fits well with the gospel lesson appointed for the day from Mark’s Gospel:

A leper came to Jesus begging him, and kneeling he said to him, “If you choose, you can make me clean.” Moved with pity, Jesus stretched out his hand and touched him, and said to him, “I do choose. Be made clean!” Immediately the leprosy left him, and he was made clean. After sternly warning him he sent him away at once, saying to him, “See that you say nothing to anyone; but go, show yourself to the priest, and offer for your cleansing what Moses commanded, as a testimony to them.” But he went out and began to proclaim it freely, and to spread the word, so that Jesus could no longer go into a town openly, but stayed out in the country; and people came to him from every quarter. (Mark 1:40-45 [NRSV])

Another wonderful story of the healing power of God.

But … I’m troubled by the fact that the reading from the Hebrew Scriptures ends where it does. As the story continues in the rest of 2 Kings 5, we find that Naaman, inspired by his healing, has become a follower of Yahweh. Here’s the rest of Naaman’s interaction with Elisha in 2 Kings 5:

Then he returned to the man of God, he and all his company; he came and stood before him and said, “Now I know that there is no God in all the earth except in Israel; please accept a present from your servant.” But he said, “As the Lord lives, whom I serve, I will accept nothing!” He urged him to accept, but he refused. Then Naaman said, “If not, please let two mule-loads of earth be given to your servant; for your servant will no longer offer burnt offering or sacrifice to any god except the Lord. But may the Lord pardon your servant on one count: when my master goes into the house of Rimmon to worship there, leaning on my arm, and I bow down in the house of Rimmon, when I do bow down in the house of Rimmon, may the Lord pardon your servant on this one count.” He said to him, “Go in peace.” (2 Kings 5:15-19a [NRSV])

Naaman is presented with the moral and religious dilemma of doing something his king will demand (joining him in worship of Rimmon) which he knows is abhorrent to his new allegiance, Yahweh. He basically asks Elisha if God will forgive this, to which Elisha merely responds, “Go in peace.” I assume that means not to worry, that Yahweh is a forgiving god and will not find fault in Naaman, but one must admit that it is ambiguous. This is a dilemma that we face on a daily basis – demands of employers, schools, sports teams, friends, governments, family, etc. which are at odds with the dictates of religion. – The reading as it stands leaves us with Naaman fully cleansed by God, but the rest of the fifth chapter of 2 Kings leaves us with a very different Naaman, a Naaman troubled by the conflict between the requirements of faith and the demands of the world.

Now what I find fascinating is not the first similarity between Naaman and the unnamed leper in Mark’s story, i.e., that they are cured, but rather the second similarity, that they are both confronted with religious proscriptions! Naaman somehow knows that he is not to worship other gods; someone somewhere at sometime has told him of Yahweh’s first commandment to his people, “I am the Lord your God, who brought you out of the land of Egypt, out of the house of slavery; you shall have no other gods before me. You shall not make for yourself an idol, whether in the form of anything that is in heaven above, or that is on the earth beneath, or that is in the water under the earth. You shall not bow down to them or worship them.” (Exodus 20:2-5a [NRSV]) Naaman knows that his king will demand that he do something which will violate this command and he wants to be assured that in breaking it he will not be punished (perhaps by loss of his cure?). The leper in the gospel story also knows of a command; he’s given one point-blank by Jesus, “See that you say nothing to anyone…” (Mark 1:44 [NRSV]) But he goes right out and breaks it! “He went out and began to proclaim it freely, and to spread the word, so that Jesus could no longer go into a town openly, but stayed out in the country; and people came to him from every quarter.” (Mark 1:45)

Two responses to religious proscription. What are we to make of these? How are we to form some sort of understanding of our response to the demands of faith, the demands of religion when scripture gives us two such widely varying examples … and, in truth, there are three. We’ve not yet finished the fifth chapter of the Second Book of Kings, for the story of Elisha and Naaman is not finished until Elisha’s servant Gehazi is dealt with. What an interesting contrast there is between the servants of Naaman, who are not followers of Yahweh, and Gehazi, who allegedly is!

The chapter concludes with this vignette:

But when Naaman had gone from him a short distance, Gehazi, the servant of Elisha the man of God, thought, “My master has let that Aramean Naaman off too lightly by not accepting from him what he offered. As the Lord lives, I will run after him and get something out of him.” So Gehazi went after Naaman. When Naaman saw someone running after him, he jumped down from the chariot to meet him and said, “Is everything all right?” He replied, “Yes, but my master has sent me to say, ‘Two members of a company of prophets have just come to me from the hill country of Ephraim; please give them a talent of silver and two changes of clothing.'” Naaman said, “Please accept two talents.” He urged him, and tied up two talents of silver in two bags, with two changes of clothing, and gave them to two of his servants, who carried them in front of Gehazi. When he came to the citadel, he took the bags from them, and stored them inside; he dismissed the men, and they left. He went in and stood before his master; and Elisha said to him, “Where have you been, Gehazi?” He answered, “Your servant has not gone anywhere at all.” But he said to him, “Did I not go with you in spirit when someone left his chariot to meet you? Is this a time to accept money and to accept clothing, olive orchards and vineyards, sheep and oxen, and male and female slaves? Therefore the leprosy of Naaman shall cling to you, and to your descendants forever.” So he left his presence leprous, as white as snow. (2 Kings 19b-27 [NRSV])

So we have three responses to the demands of religion when set at odds with the demands of the world:

  • Naaman’s response which is to seek forgiveness (even before being placed in the position of disobeying the religious command);
  • The leper’s response which is to freely and openly disobey the command (here in obedience to a perhaps over-riding sense of duty to spread the Good News);
  • Gehazi’s response to furtively disobey (and then lie when caught).

So what are we to do? What are we to make of these? How are we to form some sort of understanding of how we are to make religious decisions, ethical decisions when scripture gives us such widely varying examples? Well, clearly, we are not to do what Gehazi the servant did, but that still leaves us with little guidance.

The truth is that Scripture is not a rule book and does not give us clear guidance; we have to use our minds or, as our Anglican theological convention would put it, we have to turn to tradition (the discernment of the church throughout the ages) and reason (our own rational faculties informed by experience and inspired by the guidance of the Holy Spirit).

A framework for ethical or religious decision-making might include these steps. First, recognize whether it is an ethical issue: Is it a situation in which your decision could be damaging to some individual (including yourself) or to some group? Is it a decision which involves a choice between a good and bad alternative, or between two goods or maybe even between two bads? Is it an issue about more than what is legal or what is most efficient? Is it a question about balancing the demands of religion against the demands of the world?

Second, get the facts. What are the relevant facts of the case? What do you not known? Is there more to learn about the situation? Do you know enough to make a decision? What individuals and groups have an important stake in the outcome? Should they be consulted? Are some concerns more important? Why? What are your options for action? Have you identified creative options?

The third step is to evaluate your options by considering them in light of one or more of the following questions which represent the five different philosophical approaches to ethical decision-making:

  • The utilitarian approach asks which the outcome will provide the most good or do the least harm, or, to put it differently, which option will produces the greatest balance of good over harm.
  • According to a second approach, the most ethical action is the one that best protects the moral rights of those affected, so the question to ask is, “Which option best respects the rights of all who have a stake?”
  • The third approach, based on the philosophy of Aristotle and other Greek, argues that all equals should be treated equally, or at least fairly based on some defensible standard. So the evaluative question is, “Which action will treat those involved equally or proportionately?”
  • Greek philosophers also contrived the notion that life in community is a good unto itself and our actions should contribute to that life, so the “common good” approach asks which option would best serve the community as a whole, not just some of its members?
  • The fifth method of making an ethical or religious decision has been called “the virtue approach”. According to this approach, the ethical decision is the one which will accomplish the highest potential of our character and accord with the classic virtues: truth, beauty, honesty, courage, compassion, generosity, tolerance, love, fidelity, integrity, fairness, self-control, and prudence. The evaluative question is, “Which option leads me to act as the sort of person I want to be?”

It is this fifth method of making a decision that most accords with our faith. But Christian morality is more than a commitment to some general, universal good, and it is about more than making decisions. The virtues are God-given qualities which we learn in the community of faith; they are the fruits of the Spirit given to the church. These virtues do not come about simply by making right decisions. They are learned skills developed in the process of character formation, in the process of learning to live in accordance with God’s will. It is the cultivation and exercise of these virtues within the community of faith that makes one a moral person; it is more than mere decision-making.

To be a follower of Yahweh and, specifically for us, to be a Christian is not principally about making ethical decisions; it is not about deciding to obey certain commandments or rules. It is about becoming a disciple, someone for whom the center of creation is the Creator. Our decisions will then reflect who we really are. The basic moral or ethical question for a follower of Yahweh, for a Christian is not, “What am I to do?” but “Who am I to be?” It is what theologian and ethicist Stanley Hauerwas calls “narrative ethics” as opposed to “decisionist ethics”. It is, he says, about entering into God’s story. As another theologian has said, it is about giving up being the star of one’s life’s story and allowing God to take center stage. God has invited us into God’s story, but God is always the star of that story. By learning to be his disciples, by finding our life in God’s narrative, we find our way into the moral life; we find that the decisions become less important because doing the right thing simply becomes a natural thing, part of the narrative. This is why Jesus, when challenged about the priority of the commandments, was able to say that there are only two important ones: Love God and love your neighbor. Enter into this narrative of love and everything else falls into place.

Deciding and doing are important, but the first ethic question for a follower of Yahweh is not “What ought we to do?” It is “What ought we to be?” And this brings us back to the two lepers in today’s lessons. The leper whom Jesus healed acted on the wrong question. Instead of entering into Jesus’ story and carrying forward the narrative Jesus was living out, he decided to do what called attention to himself, to remain the star of his story, to tell his own self-centered narrative of healing and, as a result, “Jesus could no longer go into a town openly.”

Naaman, on the other hand, entered into the story of the God of Israel and, becoming part of that story, recognized his need to conform to it. He moved from a self-centered narrative of which he was the star and entered into God’s narrative, the story which would create in him the character God would call him to be, and so the prophet bids him, “Go in peace.”

Stories of miracle cures are wonderful! They prove the mighty power of God. But the last half of the fifth chapter of 2 Kings is much more challenging than the first and much more instructive as we struggle to live into our parts in God’s story!

A Dream of Italy

How long should a blog post be? Is there a maximum length? A minimum? I just don’t know, really.

And what should they be about … I post sermons here; I post pieces about my glass collection here. What else?

How about dreams? I had a dream last night. I was driving with my wife and daughter through Italy. (I have no idea where my son or any other family member might have been; it was just the three of us.) Actually, my wife was driving. I was in the passenger seat and our daughter was in the back seat.

We drove through Umbrian vineyards.

We drove through fields of Tuscan sunflowers.

We drove past towns that were unlike anything I ever saw in Italy – these towns had Whole Foods Supermarkets and Starbuck’s coffee shops and other such businesses from the American commercial landscape, not from the Italian vista.

Why we were on this drive I have no idea. Where were we driving from? Where were we driving too? No clue.

But that’s the nature of dreams.

I’ve been thinking about this dream all day. I don’t think it has any deep significance. It just stuck with me. I thought to myself, “I could write a long blog post analyzing this dream.” And then I thought, “No. I’ll just share it.” I don’t know how long a blog post should be. How long should a blog post be?

Glass Mug Collecting: Another (Partial) Bryce Set

Bryce Set including Robin in a Tree, Feeding Deer & Dog, and Grape Bunch. Also Strawberry & Pear. Missing from set is Chicks & Pugs.

Bryce Set including Robin in a Tree, Feeding Deer & Dog, and Grape Bunch. Also Strawberry & Pear. Missing from set is Pugs & Chicks.

Like the “beaded handle” set shown in an earlier entry, these mugs were made Bryce Brothers in the 1880s at a time when the company may have been known as Bryce, Walker & Co. In 1891 Bryce joined other glass manufacturers to form U.S. Glass Co. and became known as “Factory B” of that concern; it continued manufacturing these mugs, although I don’t know for how long. According to John B. Mordock and Walter L. Adams in their book Pattern Glass Mugs (The Glass Press, Inc., Marietta, OH: 1995), they are known to have been made in clear, amber, blue, canary, and light amethyst. All of the mugs have similar bowl shapes, the same shape of handle, and bases showing an eight-pointed star.

Bryce Set Showing 8-point Star Bottoms (graduated sizes; color: amber)

Bryce Set Showing 8-point Star Bottoms

The set is made up of four mugs, the largest of which is called Robin in a Tree, although the branches on which the two birds sit have roses and rose leaves on them; it could be a tree rose, I suppose. This mug measures 3-1/4″ in diameter and 3-1/4″ in height. I have several of this size in the colors amber, green, blue, opaque white (sometimes called “milk” or “custard” glass), clear, and carnivalized cobalt. Mordock and Adams report that this mug was later reproduced by another manufacturer, Mosser Glass Co., but that these are marked with Mosser’s maker’s mark, the letter “M” inside an outline of the state of Ohio. Although I would not be surprised to learn that the cobalt mug, especially, is a reproduction, none of my mugs bear the Mosser emblem.

Robin in a Tree; handle at left (size: 3-1/4" diameter x 3-1/4" height; color: amber)

Robin in a Tree - Handle at Left

Robin in a Tree; handle at right (size: 3-1/4" diameter x 3-1/4" height; color: amber)

Robin in a Tree - Handle at Right

All of these mugs were made in two-part molds which can be determined by the number of seam lines on the bowls. Each has a seam line along or underneath the handle (which is part of the molded mug, not an applied handle) and another directly opposite the handle. This can be seen in the following photo of the Robin in a Tree mug.

Robin in a Tree; handle to the back (size: 3-1/4" diameter x 3-1/4" height; color: amber)

Amber Robin in a Tree - Handle to the Back

Here are photographs of two of my Robin in a Tree mugs in other colors, the solid or opaque white known as milk or custard glass and the carnivalized cobalt.

Milk & Cobalt Carnival Robin in a Tree

Milk & Cobalt Carnival Robin in a Tree

Milk & Cobalt Carnival Robin in a Tree

Milk & Cobalt Carnival Robin in a Tree

The second mug in the set measures 3″ in diameter and 3-3/8″ in height. It is known as Grape Bunch and is the only one of the four mugs to bear the same design on both sides.

Grape Bunch; handle at right (size: 3" diameter x 3-3/8" height; color: amber)

Grape Bunch - Handle at Right

Grape Bunch; handle at left (size: 3" diameter x 3-3/8" height; color: amber)

Grape Bunch - Handle at Left

Similar in many respects (size, bowl and handle shape, and bottom pattern) to Grape Bunch, but not considered a part of the set, is Strawberry and Pear. According to Mordock and Adams, this mug is only “presumed” to have been made by Bryce (and later US Glass) because of these similarities. (A 1940 reproduction reportedly has a 24-point star on the bottom; I’ve not seen this copy.) Unlike Grape Bunch, this mug bears different designs on its two sides. The side with the pear, which might actually be a fig, also bears a bunch of grapes; the leaves shown with the fruit do not appear to be those of any of those fruits, however.

Strawberry & Pear; handle at left; strawberry showing (size: 3" diameter x 3-3/8" height; color: amber)

Strawberry & Pear - Showing Strawberry

Strawberry & Pear; handle at right; pear side showing (size: 3" diameter x 3-3/8" height; color: amber)

Strawberry & Pear - Showing Pear & Grape Bunch

The next smallest mug is Feeding Deer and Dog, which measures 2-3/8″ in diameter and 2-5/8″ in height.

Feeding Deer and Dog; handle at left (size: 2-3/8" diameter x 2-5/8" height; color: amber)

Feeding Deer and Dog - Showing the Dog

Feeding Deer and Dog; handle at right (size: 2-3/8" diameter x 2-5/8" height; color: amber)

Feeding Deer and Dog - Showing the Deer

The smallest of the set, which I have yet to obtain, is Chicks and Pugs. It measures 1-7/8″ in diameter by 2″ in height.

I have elsewhere provided information about the Bryce company (in the post entitled Glass Mug Collecting: Bryce Beaded Handle Set), so I will not do so again here. The Mosser Glass Company can be found today in Cambridge, Ohio. The company history and their current catalog can be found at their website, MosserGlass.com. (None of these mugs is shown in the current Mosser catalog.)

Sermon for Epiphany 4B: The Truth Speaks

Well, here we are, all ready to hear what it is the preacher said. Mark has told us that this preacher taught with authority and not like other teachers the people may have heard, so we have taken our bulletins and used them to mark our place in the Prayer Book; we have settled comfortably into our pews; we are ready to hear the wisdom this Jesus had to offer.

Mark has told us that Jesus “taught as one having authority, and not as the scribes.” At first this may seem to us a bit strange; we ask, “Don’t the scribes have authority? Aren’t they the scholars of the law? Licensed by the priests in the temple to teach the people? Don’t they have authority to speak for the religious establishment? What does Mark mean by this distinction between Jesus as one with ‘authority’ and the scribes as something else?”

It helps, I think, to look briefly as the Greek word Mark uses, the word translated as “authority.” It is exousian. This is a compound word made up of the prefix ex, which means “out of” or “from”, and the word ousian which, among other things, means “being” or “substance”. This compound word (Strong’s Lexicon tells us) refers to “the ability or strength with which one is endued.” In other words, this is not delegated authority, such as the scribes possessed; Jesus’ authority comes from the core of his being – it comes from Who he is!

So Mark has us all prepared to listen: this Jesus really knows his stuff – he teaches with authority – we’d best pay attention to what he said!

And then Mark doesn’t tell us! He changes the subject and tells us about this crazy, demon-possessed interrupter.

Mark is very cagey; this author knows exactly what he is doing. He knows all too well that when a writer reports what someone else has said, the focus of the reader’s attention shifts away from the speaker to the words which were spoken. We human beings almost immediately cease to pay attention to the speaker and, instead, to try to parse out the meaning of the words spoken, to lock them down and bind them up, to cast the words (especially the words of someone like Jesus) in stone or to interpret them into a rule that we can apply for all time.

Some of you know that I’m a fan of the now-disbanded English comedy group Monty Python’s Flying Circus. They make this very point in their movie Life of Brian. For those of you who don’t know the movie, it’s the life story of another baby born in another stable laid in another manger, a baby named “Brian” who grows up sort of just a step behind Jesus. At one point in the movie, Brian is at the edge of the crowd at the Sermon on the Mount; he is so far away from Jesus that those around him can hardly hear what Jesus is saying. When Jesus says, “Blessed are the peacemakers,” someone asks what he said and a discussion ensues:

Man #1: I think it was “Blessed are the cheesemakers.”
Woman: Ahh, what’s so special about the cheesemakers?
Man #2: Well, obviously, this is not meant to be taken literally. It refers to any manufacturers of dairy products.

Mark knows that exactly this would happen if he were to report what Jesus said in the synagogue in Capernaum that long-ago sabbath. He knows that if he were to tell us whatever it was that Jesus taught to that congregation, whatever it may have been that Jesus said to the demon-possessed man or to the demon, we would tie it up in a hard-bound book and preserve it and make it last and eventually twist it around someway so that it became both more and less than what it originally was, so that it became more important than the Person who said it. But the important thing, the true thing, the Truth is not what was said but Who said it; not the message, but the Messenger; not the proposition, but the Person. Mark wants us to focus on the Word, not his words.

I pretty regularly read a blog by a Presbyterian pastor named Mark Sandlin. His blog is called The God Article. Recently he published this graphic:

Mark the evangelist doesn’t tell us what Jesus said because he knows that someone (probably a lot of us) knowing what Jesus said would claim to know “the truth”, try to force someone else to follow that “truth”, and thereby demonstrate that we really hadn’t found the Truth at all!

And that’s really what Paul is writing to the Corinthians about in today’s epistle reading. At first reading it seems to be about dietary rules. After all, Paul is answering the question, “Is it OK to eat meat which has been sacrificed to pagan gods?”

Here’s the deal … the Corinthian church was in an uproar, just going crazy because some people were doing just that. Corinth was a crossroads city, a major commercial center. People from all over the known world, people with all sorts of religions, gathered there. Some of those religions involved (as Judaism did in the Jerusalem temple) the sacrifice of animals on the altars of their idols. The clergy who conducted those sacrifices supported themselves by later selling the meat from those sacrificed animals. Some in the Corinthian church believed that the meat was “tainted” spiritually by having been so used and that eating it “tainted” the soul of the consumer; other church members thought that was nonsense – they knew better! they knew “the truth”! And they were going to act on that “truth”, on that knowledge and, in a sense, force the rest of the church to go along with them. But “knowledge puffs up,” as Paul put it so bluntly; it does not build up (love does that).

So let me ask you this … Well, first let me ask you something else?

What’s the opposite of black? (The congregation suggests “white”.) Is it? What about charcoal grey, or pearl grey, or chartreuse, or puce….? What’s the opposite of up? (The congregation suggests “down”.) Well…. what about diagonal? or sideways? or circular?

So what I was going to ask is this … What’s the opposite of truth? (Someone in the congregation suggests “lies”.) That’s what we think, isn’t it? That the opposite of truth is falsehood? But what these bits of Scripture today show us is that the opposite of truth is craziness!

While I was preparing for today I read a sermon on this gospel passage by the dean of the cathedral in Atlanta, Georgia, the Very Rev. Samuel Candler. In that sermon, Dean Candler wrote:

I have served five churches in my ordained life, and it never fails. In every place I have ever ministered, just when things are beginning to go right, the crazies show up. Just when I am having a delightful conversation, some crazy person interrupts. Just when the committee has reached a spectacular decision, the crazy one jumps up to speak. Just when it looks like the entire congregation is happy, the crazies show up angry and upset.

It’s the same way in other institutions besides churches. We ask ourselves, “How in the world did that crazy person get into this group?” We even find usually reasonable people suddenly acting crazy. It happens in our families. We ask our lover, “Where did that crazy comment come from?” (Day 1 Sermon: January 29, 2006)

Whenever the Truth begins to really hold sway, the craziness comes. That’s what happened in Corinth, all that craziness around what to eat and whether it’s OK to eat something. That’s what the lesson from Deuteronomy warns about. What God said to Moses there can be paraphrased, “I’ll be sending someone to speak truth, but in the meantime a lot of other people will show up talking crazy! They’ll claim to represent other gods, or they’ll claim to represent me but say things I couldn’t possibly have anything to do with; they’ll just be talking crazy!” And that’s what happened in the Capernaum synagogue that sabbath. Truth began to hold sway, and craziness walked in and interrupted.

We all have craziness in our lives. As Dean Candler said, it happens all the time. Some craziness is easy to identify: addiction to drugs or alcohol, medical problems, worries about money. Some isn’t so easy to peg: an over-weaning attachment to the past perhaps, or an excessive concern about the future, or an over-acquisitiveness of money and possessions. Whatever … there are all sorts of idols to which we can become attached, all sorts of craziness that can infect our lives. If Mark had told us what Jesus said to the demon-possessed man, someone might try to tell us that that is the answer to our craziness … which, of course, it wouldn’t be: it was the answer to his craziness, not to ours. But someone would try to tell us that if we just believe what Jesus taught or said that day in the synagogue ….

There was a Lutheran seminary professor named Gerhard Frost who died in 1988. Dr. Frost, in addition to being a theologian, was also a poet. I thought of his work and one poem in particular as I contemplated today’s lessons. The poem is entitled Loose-Leaf:

When your options are either
to revise your beliefs
or to reject a person,
look again.

Any formula for living
that is too cramped
for the human situation
cries for rethinking.

Hardcover catechisms
are a contradiction
to our loose-leaf lives.

(Gerhard E. Frost, Seasons of a Lifetime, p. 57, Augsburg Fortress: Minneapolis 1987)

That’s the genius of Mark, that “hardcover catechisms are a contradiction to our loose-leaf lives.” If Mark had written down what Jesus taught that congregation or what Jesus said to the demon-possessed man or to the demon, human beings would have tightly bound those words; they would have become “hardcover catechisms”. They would have become a message more important than the Messenger; the what would have overshadowed the Who; the proposition of belief would have obscured the Person before us. But as Paul wrote to the Corinthians, it is not knowledge that overcomes craziness; it is Love – Love in the Person of Jesus Christ who is the Truth. In a way never meant by those who usually say it, it’s not what you know, it’s Who you know!

We live loose-leaf lives into which craziness comes in all sorts of ways. Open the binder of your loose-leaf life and make room for Truth. We may not know what Truth spoke to the craziness in the synagogue, but we can be sure that Truth will always speak to the craziness in our lives. Open the binder of your loose-leaf life and let Truth speak to you. Amen.

Glass Mug Collecting: Bryce Beaded Handle Set

These beaded handle mugs form a four-size set. I have five of them, two of the Bird on a Branch design which is the second-largest of the set.

Set of five mugs (in four sizes) made by the Bryce, Walker Glass Co. in th 1880s (and the U.S. Glass Co. after 1891)

Bryce Beaded Handle Seat

Bryce Brothers made these mugs in the 1880s at a time when the company may have been known as Bryce, Walker & Co. In 1891 Bryce joined other glass manufacturers to form U.S. Glass Co. and became known as “Factory B” of that concern; it continued manufacturing these mugs, apparently for another 20 or more years. They were made in clear, frosted, amber, opaque white, and blue. All of the mugs have beaded handles and pleated skirt bases.

Dog Chasing Deer (Size: 3-1/4" dia. x 3-3/4" ht.; Color: Amber) To the right of the handle, sculpting shows a young stag looking back over its left shoulder.

Dog Chasing Deer (3-1/4" dia. x 3-3/4" ht.)

Dog Chasing Deer is the largest mug in the set. It measures 3-1/4″ in diameter and 3-3/4″ in height. To the right of this mug’s handle one sees a young stag looking back over its left shoulder. Directly opposite the handle there are a doe and two stags running from the dog further around the bowl of the mug. To the left of the handle one sees the dog chasing these deer. The animals are framed by trees. The mug was made in a three-part mold; the mold seams run up the trunks of the trees.

Dog Chasing Deer (Size: 3-1/4" dia. x 3-3/4" ht.; Color: Amber) Directly opposite the handle, sculpting shows a doe and two stags running from the dog further around the bowl of the mug.

Dog Chasing Deer (3-1/4" dia. x 3-3/4" ht.)

Dog Chasing Deer (Size: 3-1/4" dia. x 3-3/4" ht.; Color: Amber) To the left of the handle, sculpting shows a dog chasing the deer shown further around the bowl of the mug.

Dog Chasing Deer (3-1/4" dia. x 3-3/4" ht.)

Bird on a Branch (Size: 2-7/8" dia. x 3-3/8" ht.; Color: Amber) To the right of the handle, the sculpting shows an upright singing bird perched on a branch.

Bird on a Branch (2-7/8" dia. x 3-3/8" ht.)

The second largest mug in the set is Bird on a Branch, which measures 2-7/8″ in diameter and 3-3/8″ in height. To the right of this mug’s handle is a perched bird on a branch; the bird is sitting upright and appears to be singing. Directly opposite the beaded handle, one sees as owl perched on a branch. To the left of the handle, the sculpting shows a crouching song bird perched on a branch. Like its larger companion, this mug was made in a three-part mold and, again, the mold seams are hidden in the trunks of the trees.

Bird on a Branch (Size: 2-7/8" dia. x 3-3/8" ht.; Color: Clear) To the right of the handle, the sculpting shows an upright singing bird perched on a branch.

Bird on a Branch (2-7/8" dia. x 3-3/8" ht.)

Bird on a Branch (Size: 2-7/8" dia. x 3-3/8" ht.; Color: Amber) Directly opposite from the handle, the sculpting shows an owl perched on a branch.

Bird on a Branch (2-7/8" dia. x 3-3/8" ht.)

Bird on a Branch (Size: 2-7/8" dia. x 3-3/8" ht.; Color: Clear) Directly opposite from the handle, the sculpting shows an owl perched on a branch.

Bird on a Branch (2-7/8" dia. x 3-3/8" ht.)

Bird on a Branch (Size: 2-7/8" dia. x 3-3/8" ht.; Color: Amber) To the left of the handle, the sculpting shows a crouching song bird perched on a branch.

Bird on a Branch (2-7/8" dia. x 3-3/8" ht.)

Bird on a Branch (Size: 2-7/8" dia. x 3-3/8" ht.; Color: Clear) To the left of the handle, the sculpting shows a crouching song bird perched on a branch.

Bird on a Branch (2-7/8" dia. x 3-3/8" ht.)

Pointing Dog (Size: 2-3/8" dia. x 2-5/8" ht.; Color: Amber) To the right of the handle, sculpting shows a hunting dog looking backward over its left shoulder.

Pointing Dog (2-3/8" dia. x 2-5/8" ht.)

Pointing Dog is the third mug in the set, measuring 2-3/8″ in diameter and 2-5/8″ in height. On the right side of this mug, one finds a hunting dog looking backward over its left shoulder. Opposite the handle there is a singing bird in a crouching position perched on a branch. To the left of the handle is another hunting dog looking straight ahead and pointing toward the bird. Like the two larger mugs, this one was made in a three-part mold and the seams are hidden in tree trunks.

Pointing Dog (Size: 2-3/8" dia. x 2-5/8" ht.; Color: Amber) Directly opposite the handle, sculpting shows a singing bird in a crouching position perched on a branch.

Pointing Dog (2-3/8" dia. x 2-5/8" ht.)

Pointing Dog (Size: 2-3/8" dia. x 2-5/8" ht.; Color: Amber) To the left of the handle, sculpting shows a hunting dog looking straight ahead and pointing toward the bird.

Pointing Dog (2-3/8" dia. x 2-5/8" ht.)

Swan - aka Water Fowl, U.S. Glass No. 3802, or Federal's No. 3802 (Size: 1-7/8" dia. x 2" ht.; Color: Clear) To the right of the handle, sculpting shows a swimming duck among water grasses.

Swan aka Water Fowl, U.S. Glass No. 3802, or Federal's No. 3802 (1-7/8" dia. x 2" ht.)

Swan (which is also known as Water Fowl) is the smallest of the set. It measures 1-7/8″ in diameter and 2″ in height. It is seen in packers’ goods catalogs as U.S. Glass No. 3802 or Federal Glass Company’s 1914 Packers’ Catalogue as Federal’s No. 3802. Mugs (and other vessels) made as “packers’ goods” were used to distribute condiments and could afterwards be used for whatever purpose the consumer might choose. Often they were intended as toys for children, which was probably the case with this little item. (Note: There are many mugs and other glass items featuring a swan motif. Another Swan pattern, also known as Plain Swan or Swan with Mesh, was made by Canton Glass Co. circa 1882. There seems to be no mug associated with that pattern. See Darryl Reilly and Bill Jenks, Early American Pattern Glass: Collector’s Identification & Price Guide, pp. 443-44 (2nd Ed.: Krause Publications, Iola, WI: 2002) and Ruth Lee Webb, Early American Pressed Glass, pp. 531-32 (36th Ed.: Lee Publications, Wellesley Hills, MA: 1960).)

On the right side of this little mug one sees a duck swimming among water grasses. Opposite the handle, a bird (either goose or duck) is taking flight from among the rushes. To the left of the handle, a swimming swan glides among the cattails. This mug also was made in a three-part mold; one seam line is well-hidden in the stem of a cattail, while the other is only partially obscured by a palm. My copy of this mug is marred by impurities within the glass: an arc of what seem to be ash particles is imbedded in the glass.

Swan - aka Water Fowl, U.S. Glass No. 3802, or Federal's No. 3802 (Size: 1-7/8" dia. x 2" ht.; Color: Clear) Directly opposite from the handle, sculpting shows a duck or goose taking flight from among water grasses. Impurities in the glass obscure the sculpted image.

Swan aka Water Fowl, U.S. Glass No. 3802, or Federal's No. 3802 (1-7/8" dia. x 2" ht.)

Swan - aka Water Fowl, U.S. Glass No. 3802, or Federal's No. 3802 (Size: 1-7/8" dia. x 2" ht.; Color: Clear) To the left of the handle, sculpting shows a swimming swan among cattails.

Swan aka Water Fowl, U.S. Glass No. 3802, or Federal's No. 3802 (1-7/8" dia. x 2" ht.)

The Carnegie Library of Pittsburgh provides this information about the Bryce Brothers Glass Co.

James Bryce, born in Scotland in 1812, migrated to the United States at the age of 5 with his family and first lived in Philadelphia before moving to Pittsburgh in 1819. At the age of 15 he was indentured to Bakewell, Page & Bakewell in 1827. James left the factory when it was temporarily closed by a Financial Panic in the 1830s, but returned to glassblowing in 1845 with the firm of Mulvany and Ledlie.

The firm Bryce, McKee and Co. was established by James in 1850 with his brothers Robert and John who were joined by the McKee brothers, Frederick and James. Their Factory was located at Wharton and 21st streets on Pittsburgh’s South Side. The McKee brothers withdrew from the company in 1854 to establish their own business and two new partners were brought into the company—Joseph Richards and William Hartley— who remained until 1865.

The Walkers who joined the partnership when William Hartley departed added their name to the firm which became known as Bryce, Walker & Co. until 1882 when the Bryce family sold their interest to U.S. Glass Co. which was known as Factory B. Three years later the Bryce Brothers reestablished their business in Hammondville where glass products were produced until 1896 when a new factory was built at Mt. Pleasant.

Bryce Brothers produced tableware, lamps, apothecary wares and bottles. Their pressed glass patterns—Roman Rosette, Ribbon Candy and Ribbed Palm or Sprig were well known as were patterns named Diamond Sunburst, Thistle and Strawberry for which design patents were secured.

Lenox Co. acquired Bryce Brothers in 1965.

The Glass Etch and Pattern Gallery provides this additional (and slightly conflicting) information about the company’s history (adapted from The Glass Candlestick Book: Volume 1, by Tom Felt and Rich & Elaine Stoer):

BRYCE BROTHERS COMPANY, Hammondville, Pa. (1893 1896), Mount Pleasant, Pa. (1896 1967). The involvement of the Bryce family in glass manufacture extends back to the early 1840s. The original Bryce brothers, James, Robert and John, founded Bryce, McKee and Company in Pittsburgh around 1850. After various changes of name, the company was reorganized as Bryce Brothers in 1882 – two of the original brothers, Robert and James, being joined by five of the latter’s sons, as well as one son of Robert’s. In 1891, Bryce Brothers became factory “B” of the United States Glass Company.

Most of the Bryce clan took positions with U.S. Glass. However, in 1893, two of the younger generation, Andrew H. and J. McDonald Bryce, withdrew to found the new Bryce Brothers Company. They purchased the bankrupt Smith-Brudewold Company’s plant at Hammondville, which they operated until 1896, when they moved to a brand new factory in Mount Pleasant. Their specialty was blown stemware and tumblers, with a full variety of offerings for the hotel and bar trade. From the beginning they also offered many forms of decoration, including etching, cutting, sand blasting, iridescent finishes, enameling, gold bands, etc. Bryce Brothers remained a major producer of blown stemware and tableware through most of the twentieth century. In 1948, they began using a logo that advertised “Bryce, hand blown, since 1841,” apparently referring to the year when the original John Bryce got his first job in the glass industry, working for Bakewells and Company. In 1965, Bryce Brothers Company was purchased by Lenox, Inc., the Trenton, New Jersey, china manufacturer, who continued to operate the factory under their own name until the 1990s.

Glass Mug Collecting: Medallion Pattern by Atterbury

Five Medallion mugs, three large (black, clear, amber), one medium (white), one small (clear)

Set of five Atterbury & Co. Medallion mugs

This is my set of five mugs in this pattern, Medallion by Atterbury & Co. Other names for this pattern are Ceres, Cameo, Profile & Sprig, Goddess of Liberty, and Beaded Medallion

According to Mordock & Adams, Pattern Glass Mugs, page 8 (The Glass Press, Inc.: Marieta, OH, 1995):

Atterbury & Co. manufactured this mug and this pattern about 1870. The large mug’s mold has been remade at least once. One variation is called Washington & Lafayette (compare the hairline and the base of the bust). Ceres mugs were made in clear, amber, blue, opaque turquoise, opaque black, opaque raspberry, dark amethyst, opalescent, blue opalescent, blue alabaster and pink alabaster. Over 20 different items were made in this pattern.

I have all three sizes: 2″ x 2″; 2-1/2″ x 2-1/2″; and 3-1/8″ x 3-1/4″ (The first dimension is diameter; the second, height.)

Amber Medallion mug (3-1/8" x 3-1/4"); Ceres variant

Amber Medallion mug (3-1/8" x 3-1/4"); Ceres variant

Opaque black Medallion mug (3-1/8" x 3-1/4"); Washington & Lafayette variant

Opaque black Medallion mug (3-1/8" x 3-1/4"); Washington & Lafayette variant

Clear Medallion mug (3-1/8" x 3-1/4"); Washington & Lafayette variant

Clear Medallion mug (3-1/8" x 3-1/4"); Washington & Lafayette variant

Milk white Medallion mug (2-1/2" x 2-1/2"); Ceres variant

Milk white Medallion mug (2-1/2" x 2-1/2"); Ceres variant

Clear Medallion mug (2" x 2"); Ceres variant

Clear Medallion mug (2" x 2"); Ceres variant

The Glass Lovers Glass Database offers this information about the manufacturer:

‘James S. and Thomas B. Atterbury joined brother-in-law James Hale to form Hale and Atterbury in 1860 in Pittsburgh, Pennsylvania. The grandsons of Sarah Atterbury Bakewell (sister of Benjamin Bakewell and founder of Bakewell’s Glass Company), opened their White House Factory at Carson and McKee streets in Pittsburgh’s South Side. Hale was the firm’s glassblower. He was replaced two years later by James Reddick who left Atterbury in 1864. The company’s name thus was changed from Hale, Atterbury and Co., to Atterbury, Reddick and Co., then Atterbury and Co. before finally bearing the name Atterbury Glass Co. in 1893. Thomas Atterbury served as the company’s president throughout its history.

Thomas Atterbury was the principal inventor in the firm.’ (1) ‘The Atterbury Company was looked upon as the finest producer of milk glass. All their early pieces were marked with a patent date and the animals all had glass eyes that were glued in. Many of the animal’s dishes had lacy edge bases. Extra detail was given to all their molds to create realistic looking animals. The most popular animals included a hen, cat, fox, duck and fish. Atterbury also made many non-animal dishes that collectors are on the search for, such as the hand dish, maple sugar bowls, whiskey bottles and other table pieces. All their pieces are highly sought after by collectors.’ (4)

Atterbury and Co. also made a variety of items: canning jars and lids, bar bottles, covered dishes, salt and pepper shakers and other tableware, and lamps. Its covered dishes made out of opal or milk glass often featured animal designs – rabbits, ducks, chicks, bulls and boars heads.(1)

It’s most famous designs are its covered dishes, in which the covers were shaped like animals. ‘Rabbit’ appeared in 1886. ‘Duck’ in 1887 and the ‘Boar’s Head’ in 1888. The glass menagerie also included dish covers called ‘Chick and Eggs’, ‘Entwined Fish’ and ‘Hand holding a Bird’.(2)

Along with his brother James, Thomas created one of the finest kerosene lamp producing companies of the late 1800’s. They received over 100 patents for glass and lamp design and production. Their lamp patterns were numerous and varied: Chieftain, Prism, Tulip, Icicle, Loop, Fine Rib, Wave are only a few examples. When financial problems hit in the late 1880’s Atterbury and Co. joined with several others to form a new single company called the United States Glass Company.(3) “Atterbury remained an independent factory until 1903.”(1)

Ref: (1) The Lampworks
Ref: (2) The Grove Encyclopedia of Decorative Arts, Gordon Campbell, Editor
Ref: (3) royslamps.com
Ref: (4) Article by Go Antique’s Debbie Coe

Glass Mug Collecting: Introductory Post

I decided that I would start chronicling my hobby of glass collecting on this blog. (These posts will be intermingled with sermons and whatever other random thoughts I may have….) So, to be specific, I collect early American pattern glass mugs.

Five Medallion mugs, three large (black, clear, amber), one medium (white), one small (clear)

Set of five Atterbury & Co. Medallion mugs

Since this is a first post, let me dissect those terms.

Early

“Early” refers to the first era of pressed glass production in America, from about 1830 up to 1910 (roughly, some of my mugs are from later years). Glassware historians divide this into three periods: the Lacy Period, 1830-40; the Flint Period, 1840 to about 1860; and the Non-Flint Period, 1860-1910. What primarily distinguishes the periods are the stabilizers used in the glass and production methods used in the making of the glassware, and the retail price and availability of the products. In the earliest periods of human history, glass was something only for the wealthy; this continued to be true until the late 19th Century.

Clear Goblet in Bryce's Derby or "Pleat & Panel" Pattern

Clear Goblet in Bryce's Derby or "Pleat & Panel" Pattern

Although a glass is a substance that is non-crystalline, it is almost completely undeformable and thus brittle. Glass tableware is made of silica (silicon oxide); such glass, without the addition of other elements, is extremely brittle. Therefore stabilizers are used to give the finished product particular characteristics. Calcium carbonate can be added as a stabilizer that will make the resulting glass insoluble in water. Lead oxide added as a stabilizer gives the glass extreme transparency, brightness, and a high refractive index (the measure of glass’s ability to bend light); it also makes glass easier to cut. The glassware known as “lead crystal” uses lead oxide (up to 33%) as the stabilizer. Zinc oxide can be added to glass to make it more resistant to changes in temperature as well as to increase its refractive index. Aluminum oxide can also be added as a stabilizer to increase the physical strength of the glass.

The earliest American glass makers added flint or lead to stabilize glassware. However, the military need for lead during the American civil war lead to the search for alternatives. In 1862, William Leighton, Jr., devised a formula using soda lime. This produced a less brilliant, less resonant, but also much less expensive type of glass. Together with advances in molding techniques brought on by the industrial revolution, and by the advent of natural gas to fire furnaces in the 1880s, the changed formula reduced the price of glassware and made mass manufacturing and mass marketing possible. Glassware became available to the larger market of the growing American middle class.

American

Well… that ought to be self-explanatory. On the other hand, I should acknowledge that not all of my mugs are American! I have a couple that are definitely English and one that is definitely German, and a couple I’m not at all sure about. Also, “American” glass includes products of some Canadian manufacturers. (So perhaps it should be “North American”?)

Pattern

Amber Mother Goose lunch set (1930s era copy)

Amber Mother Goose lunch set (1930s era copy)

What is the difference between “molded” glass, “pressed” glass, and “pattern” glass? Not much. Nearly all pattern glass is pressed, but not vice-versa. All pressed glass is molded, but not vice-versa.

Some molded glass is blown into the the mold; pressed glass is, obviously, pressed into the mold. Nearly all pattern glass is pressed glass with this characteristic: that several different items (or “forms” as collectors call them) share the design pressed into the glass. Darryl Reilly and Bill Jenks in their book Early American Pattern Glass: Collector’s Identification & Price Guide (2nd Ed.: Krause Publications, Iola, WI: 2002) define “pattern glass” as “only those designs produced in forms large enough to constitute a basic 4-piece table setting.” (Page 7) Others defined “pattern glass” as pressed glass tableware, and some related novelty glass items, made only during the Victorian period (1850-1910), only in America, and in “sets” such that all of the pieces in the set matched in design, without setting a minimum on the number of forms. And some make no distinction at all between “pressed” glass and “pattern” glass.

How many patterns are there? One expert has suggested that there may have been up to 5,000 patterns produced by American glassware manufacturers during the Victorian era! See Bob Batty, A Complete Guide to Pressed Glass, page 7 (Pelican Publishing Co.: Gretna, LA, 1998).

Three-handled spooner of unknown pattern

Three-handled spooner of unknown pattern

Glass

Here’s a technical definition: “Glass is often referred to as an amorphous solid. An amorphous solid has a definite shape without the geometric regularity of crystalline solids. Glass can be molded into any shape. If glass is shattered, the resulting pieces are irregularly shaped. A crystalline solid would exhibit regular geometrical shapes when shattered.” Good enough? Good enough – I think we all know what “glass” means.

Mugs

Clear Medallion mug (2" x 2"); Ceres variant

Clear Medallion mug (2" x 2"); Ceres variant

Mug: “A drinking container with a handle” is about the simplest definition one can give, but it begs the question. John B. Mordock and Walter L. Adams in the introduction to their book Pattern Glass Mugs (The Glass Press, Inc.: Marieta, OH, 1995) note that there are all sorts of particularly shaped mugs: lemonades, whiskey tasters, steins, and so forth. As they say, “It is difficult to determine what should be included as a mug. Items that are on the borderline are custard cups, cup and saucer sets, punch cups and some mustard containers.” Toothpick holders and children’s toys are on the borderline, as well. My definition: if it’s a handled drinking vessel, not obviously a tea cup or a punch cup, and I like it – it’s a mug!

So that’s what my collecting hobby is all about. In future posts, I’ll post pictures of my mugs and give as much detail about them as I can find. As I get more information on a piece, I’ll edit the posts. I hope those who read them and look at the pictures of my mugs will enjoy these little works of art as much as I do.

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