That Which We Have Heard & Known

Occasional thoughts of an Anglican Episcopal priest

The Patients of Job: Part Three – “What Is Half of 11?” – Sermon for Pentecost 21, Proper 24B – October 21, 2012

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This sermon was preached on Sunday, October 21, 2012, at St. Paul’s Episcopal Church, Medina, Ohio, where Fr. Funston is rector.

(Revised Common Lectionary, Proper 24B: Job 38:1-7,34-41; Psalm 104:1-9,25,37b; Hebrews 5:1-10; Mark 10:35-45. These lessons can be read at The Lectionary Page. At St. Paul’s Parish, the whole of Job 38 was read as the Old Testament lesson.)

The illustrations which follow in this sermon were presented as PowerPoint slides during the homily.

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This is our third installment in the sermon series The Patients of Job and we begin with a diagnostic question: What is half of 11?

Job 38:1-7, (34-41) Psalm 104:1-9, 25, 37b  or  Isaiah 53:4-12 Psalm 91:9-16  Hebrews 5:1-10 Mark 10:35-45

Think about that for a while and we will return to this question in a moment. First, however, we need to catch ourselves up-to-date on the story of Job.

When we left Job last week, he and his friends Eliphaz, Bildad, and Zophar had had a long conversation about Job’s condition, his various misfortunes, and his own purity or blameworthiness; they then waxed philosophical about a hypothetical and stereotypical wicked man, being rather unclear whether that man was, in fact, Job. We were left with Job determined to take God to court where he would plead his innocence, but in something of a quandary because he was unsure where to find God.

Despite his confusion and bewilderment about the whereabouts of the Almighty, Job then spends the next nine chapters laying out his case. Bildad interrupts him briefly, but other than that the three friends do not speak further. There is a brief excursus in Chapter 28 about creation and wisdom, and scholars are unsure if Job is actually the speaker of that portion; it may be that this is one of the friends or even the narrator of the story speaking, but the text is unclear. When Job finishes, a newcomer begins to speak, Elihu the son of Barachel the Buzite. He comes on the scene unannounced, expresses his anger at Job and his friends because of their lack of understanding about God, and picks holes in some of their arguments. Most scholars think this a later addition to the book because Elihu’s speeches really add nothing and interrupt the flow between Job’s final speech and the appearance of the character God whose first speech in response to Job we heard today as our Old Testament reading. (I asked our lector to read the whole of Chapter 38, not simply the selected verses required by the Lectionary.)

My friend and colleague Steve _________, who is now the priest-in-charge of St. Bartholomew’s Episcopal Church in Mayfield Village, recently characterized the Book of Job, and this chapter of it in particular as “Job asking, ‘Why am I, a righteous man, suffering so?’ and God’s answer is ‘I am God and you are not.'” As Steve noted, that is not an entirely satisfying answer! I’ve often thought of the book and God’s answer in even less positive terms; it has frequently seemed to me that God’s response is (pardon the expression!), “Who the hell are you?”

But as I re-read the whole of the story in preparation for these sermons, and again as I have written each homily, I think that Steve and I have been wrong about this story. I don’t think God’s answer is either “I’m God and you’re not” or “Who the hell are you?” I think God’s answer is “What is half of 11?” And, again, I’ll come back to that.

I mentioned Chapter 28 earlier; that chapter really sets the background for God’s response to Job in this chapter. Chapter 28 has been called “one of the most exquisite poetic compositions of the entire Bible” (New Interpreters Bible, Vol. IV, Abingdon Press:1996, p. 528); I encourage you to read it! In Chapter 28, the speaker (whether Job or someone else) addresses the paradox of wisdom which cannot be found because it is everywhere. “Surely there is a mine for silver, and a place for gold to be refined,” it begins. (v. 1) “But where shall wisdom be found?” it asks, “And where is the place of understanding?” (v. 12) In what is really a hymn to wisdom and creation, the speaker sings of precious metals and prized gemstones, of the animals of nature, of the phenomena of weather, and of God who understands the way of wisdom because God “looks to the ends of the earth, and sees everything under the heavens.” (v. 24) Human beings, says the speaker, find wisdom through participation in creation in two particular ways. First, by what the speaker calls “the fear of the Lord,” a biblical term for piety or prayerful mindfulness; second, through “departure from evil,” which is to say moral action and uprightness. In these ways, human beings participate in the integrity of creation and understand the interrelatedness of all things; in a word, human beings find wisdom through creation and in creativity. This, then, is the background for what God says to Job in Chapter 38.

Job has laid out his legal case and made his arguments. God appears on the scene and rather than answer the lawsuit, he turns the tables on Job and starts asking him a lot of questions about nature. He asks about the seas, about wild animals, about storms and clouds and thunder, but says not a word about any of the points Job has laid out so carefully in his legal case . . . not a word. Instead, God’s address to Job is characterized by an “unrelenting use of rhetorical questions: ‘Who?’ ‘Where?’ ‘How?’ ‘What . . . can you . . . have you . . . do you know?'” (N.I.B., p. 598)

“What,” says God, “is half of 11?” Well, not actually. “What is half of 11?” is a question asked by my friend John O’Keefe. And, of course, we all know the answer, don’t we? Half of 11 is 5.5. You take 11; you divide it by 2; you get 5-and-a-half. Done.

5.5

But are we? In John’s book, The Church Creative (CreateSpace:2012), he suggests we ought to open ourselves to considering the question “What is half of 11?” from different and unexpected perspectives. (See also John’s website, The Church Creative.)

What if we visualize or understand this question not as “What is half of the number 11?” but “What is half of a character made up of two 1s, two vertical strokes?” Then half of 11 is . . .

1

. . . and the second half is . . .

1 & 1

Or what if we think not in Arabic numerals but in the Roman numerals?

What Is Half of XI?

Then the first half of XI is an X . . .

X

. . . and the second half is an I.

X & I

Or, we could just slice the figure horizontally so that there’s a top half . . .

Top of XI

. . . and a bottom half.

Top & Bottom of XI

Here’s another thought. Think in terms of words, not numbers. “What is half of e-l-e-v-e-n?”

What is half of eleven?

Obviously, the first half is “e-l-e” . . .

ele

. . . and the second, “v-e-n”.

ele & ven

Or, half of the word “eleven” is made up of the vowel “e” . . .

eee

. . . and the other half is made up of consonants.

eee & lvn

I suggest to you that God’s numerous rhetorical questions are meant to get Job to look at himself, his situation, his losses, and his current condition, from a different perspective, to understand God in a different way. God’s response to Job is like asking “What is half of 11?”

Just like us, when we read that question as being only and solely a math problem, Job has a particular way of seeing the world, a particular way of understanding reality, a particular way of understanding God. His frame of reference, if you will, was the social structure of his world, the village, clan, and family structure within which his life was lived. Job’s theological imagination was framed by that structure; the metaphors through which he sought to understand God came from that structure. Just as Job, acting as a person of honor, would hear and respond to a complaint from one of his employees or one of his children, so he believed God would hear and respond to his case. “Job’s image of God is developed out the highest and best values of his society, values that Job has always tried to embody.” (N.I.B., p. 556) This is fully in keeping with the Biblical tradition of “thinking about God by means of metaphors drawn largely from the realm of human relations.” (Ibid.) The problem, of course, is that such metaphors are limited and inadequate. God is not simply an ideal human person; God is “wholly other”, and God will not fit completely into the neat and tidy lines of our metaphors. Job is only partially correct about God. God will (and does) deal with Job as a loving Parent might deal with a child, but not in the way Job anticipates.

My daughter Caitlin recently shared with me an essay she wrote for one of her college courses. In it she related a story about my uncle, who was a very talented professional artist, teaching her to draw. This is her story:

My great uncle Richard was the first person to let me loose with a tool and tell me that I had the power to create “Art”. Sitting under an orange tree in my Grammy’s backyard, he handed me some colored pencils and told me to draw my favorite thing; at the time it was flowers. My geometric and organic patterns turned into a kid’s rendition of paisley. Once I got that flower thing down I wanted to move on to something more awesome. I couldn’t think of what to draw, so Uncle Richard decided to teach me a Surrealist technique to ease the imagination process. He told me to take a black pen, and without thinking about it too much, draw one continuous line all over the paper, “Just scribble it all up.”

After I scribbled the most extreme mess on the page, he told me to “make the ends meet.” I found the point at which I began my crazy doodle, connected the dots and then colored in the shapes between the lines with a myriad of color as he suggested. The great American painter Jasper Johns said the way to make art is to “Do something, then do something to that, then do something to that.”

My uncle had my daughter do something like this . . .

Squiggle

. . . and then do something like this to it.

Squiggle Colored-in

In this way, Uncle Richard taught Caitlin that she had (as she put it) “the power to create.” It must have worked; last year Caitlin painted this watercolor . . .

Red Snapper, copyright 2012, Caitlin Funston

and, with it, won a scholarship at the University of Missouri.

God’s response to Job, all those rhetorical questions – “Who?” “Where?” “How?” “What . . . can you . . . have you . . . do you know?” – were God’s way of getting Job to “just scribble it all up,” of getting Job to stop being confined within the lines and limits and inadequacies of his metaphors, of getting Job to think creatively, of helping Job to find wisdom by participating in the integrity of creation and through understanding of the interrelatedness of all things. God’s response was not asking Job “Who the hell are you?” and God wasn’t answering his complaint with “I’m God and you’re not.” God was, however, saying, “I’m God but not in anyway you’ve ever considered, understood, or even imagined.” God was saying, “Neither I nor the world I created will fit within the neat lines of your metaphorical box.”

God’s response to Job is an invitation, and therein is the balm for us as “Patients of Job”, the prescription for whatever sickens our souls, for remedy for whatever ails our realities. God’s response is an invitation to Job and to us to participate in creation, to “scribble it all up,” to do something, then do something to that, then do something to that, to answer “What is half of 11?” in unexpected ways, to be creative in our problem solving. The answer to Job’s problem is not to sit on his pile of ashes moaning and complaining, disputing legalisms and “did I deserve it?”s with his friends; the answer to Job’s problem is not to sit on his pile of ashes framing legal arguments and preparing to sue God! The answer to Job’s problem is to get creative, to do something unexpected, to think outside the box. And that is spiritual medicine for us because, just like Job’s, neither our problems, nor our world, nor our God . . .

"Come on God, Get In There!!"

. . . will fit in our neat metaphorical boxes. Amen.

2 Comments

  1. Is it possible to use the “Come on God, get in there.” cartoon as cover art for a book I am writing on spirituality? I think it would be perfect.
    Please contact me at your earliest convinence on Facebook or at
    dinomeurs@gmail.com
    Thank you for your time in reading this.

  2. eric

    December 3, 2012 at 11:33 pm

    Dino – Contact David Hayward, the naked pastor – click the cartoon and you’ll be linked to his website.

    Thanks, Eric

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